Activism

Bonnie Raitt, Steve Earle, Taj Mahal and More Cover Iconic Prison Song on ‘Better Than Jail’ Benefit Album

on October 4, 2024 No comments

Better Than Jail, a new benefit album that contains a 12-track lineup of iconic prison song covers, was released today, Friday, Oct. 4. Bringing together a coveted assemblage of Americana, blues, and country artists, the tracklists shuffles classics from Merle Haggard “Sing Me Back Home,” “I Made the Prison Band”) Bob Dylan (“Hurricane,” “I Shall Be Released”), Lead Belly (“Midnight Special”), Bukka White (“Parchman Farm Blues), and more; intergenerational historical alignment from songwriters and modern-day performers that showcase the ongoing need to enact prison reform and reconsider the effectiveness of the correctional system. 

Contributing to the set, and aligning under the mission to raise awareness and support the imminent need to combat criminal justice reform, are Cedric Burnside, Hayes Carll & Allison Moorer, Bonnie Raitt, Jason Isbell and Amanda Shires, Lukas Nelson, Margo Price, Old Crow Medicine Show, Raul Malo, Silverada, Steve Earle, Taj Mahal, and The War and Treaty. Better Than Jail celebrates the rich musical legacy of choice pulls while supporting systematic change steeped in the mission: we can, and must, do better. Striking the LP’s charitable slant, proceeds will go toward Equal Justice USA and Free Hearts, a pair of organizations taking part in boot-on-the-ground work to generate thoughtful and effective change. 

In picking up the conversation that has percolated lyrically for decades, Price uses her pipes to retell Dylan’s story of Rubin “Hurricane” Carter, the wrongly accused boxer who faced racism leading to a false trial and triple murder conviction in 1967, “Here comes the story of the Hurricane/ The man the authorities came to blame/ For somethin’ that he never done/ Put in a prison cell, but one time he coulda been/ The champion of the world.” Raitt gives Leroy Carr’s “Prison Bound Blues” similar treatment, bringing listeners back to the lyrics: “When I had my trial baby, you could not be found/ When I had my trial baby, woooo, you could not be found/ So it’s too latе now, mistreating mama, I’m prison bound.”

I’m so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I’ve been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts.
~ Bonnie Raitt

Elsewhere on the compilation, Old Crow Medicine Show delivers Jimmie Rodgers’ “In the Jailhouse Now.” Commenting on the band’s involvement, Ketch Secor offered, “We are proud and truly humbled by the scope and magnitude of this project. Everyday life looks a whole lot different for the men and women behind bars, and,  with our inclusion in Better Than Jail we seek to ally ourselves with those organizations shining a light in prisons across the country.” He continued, “The quintessential track “In the Jailhouse Now’ is one of Country music’s most popular songs about the big house. During the global pandemic, prison activists – primarily wives, moms, and children of the incarcerated – gathered on the steps of our state capitol to demand a safer environment for inmates in Tennessee. We kept these family members in our hearts as we recorded this song.”

Scroll down to stream the LP now, and consider donating to Equal Justice USA and Free Hearts.

Better Than Jail Tracklist: 

  1. The War and Treaty – “County Jail Blues” (Originally by Big Marco)
  2. Steve Earle – “I Fought the Law” (Originally by The Crickets) 
  3. Bonnie Raitt – “Prison Bound Blues” (Originally by Leroy Carr) 
  4. Old Crow Medicine Show – “In the Jailhouse Now” (Originally by Jimmie Rodgers) 
  5. Hayes Carll & Allison Morer – “Sing Me Back Home” (Originally by Merle Haggard) 
  6. Margo Price – “Hurricane” (Originally by Bob Dylan) 
  7. Raul Malo – “Stripes” (Originally by Johnny Cash) 
  8. Lukas Nelson – “I Shall Be Released” (Originally by Bob Dylan) 
  9. Silverada – “I Made the Prison Band” (Originally by Merle Haggard) 
  10. Taj Mahal – “Midnight Special” (Originally by Led Belly) 
  11. Jason Isbell & Amanda Shires – “The Color of the Cloudy Day” 
  12. Cedric  Burnside – “Parchman Farm Blues” (Originally by Bukka White)

Source: © Copyright Jambands

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After decades of hit music and activism, Bonnie Raitt still has a lot more to give.

on September 19, 2024 No comments
Paul Fried

Bonnie Raitt is devoting her Sunset Center appearance to supporting journalism. “Never has protecting a free press been more essential,” she says.

Bonnie Raitt has long been recognized as a blues-rock icon for her stellar songwriting, silky smooth voice, punchy rhythms, and for her virtuosic electric guitar blues slide technique. The late great B.B. King called her “the best damn slide player working today.”

“It was an incredible gift for me to grow up with all of the great blues legends,” Raitt says. “Not only were we players, we were all friends. So in addition to the music I learned how they lived, ran their marriages and how they talked to their kids.”

But it wasn’t all an easy road. Raitt, like so many other music stars, succumbed to addiction on her way up. She credits the late Stevie Ray Vaughn with helping her to get sober.

“I thought I had to live that late-night partying lifestyle to be an authentic blues player,” Raitt recalls. “But if you keep it up too long, all you are going to be is sloppy or dead. One day I heard that Stevie was a much better player sober.”

What followed has been a multi-decade foray into the very heart of modern political activism, dating back to the early 1970s supporting causes like No Nukes. Raitt has been active in Farm Aid, music education outreach for kids and many other programs.

Her appearance locally on Sept. 23 will benefit four prominent nonprofits dedicated to investigative journalism and protecting a free press: the Center for Media and Democracy; Fairness & Accuracy in Reporting (FAIR); the Fund for Investigative Journalism; and ProPublica.

“There’s never been a time like this that made me look around and say, ‘wow – nobody saw this coming,’” she says. “All of a sudden everything shifted, and with our democracy at a crossroads, never has protecting a free press been more essential to holding the powerful to account and keeping the public informed and engaged.”

Turning to her current music, Raitt waxes circumspect.

“My fans will always cheer for ‘Angel From Montgomery’ or ‘Something To Talk About,’” she points out. “But lately I feel that there’s something else there, and that we’ve built a whole new audience with a younger Americana generation. What’s going on with roots music now is the harvest of what we did in the ’60s and ’70s. I feel like I’m part of a continuum.”

Bonnie Raitt 7pm Monday, Sept. 23. $100-$350; sold out. Sunset Center, San Carlos and 9th, Carmel. 620-2040, sunsetcenter.org.

Source: © Copyright Monterey County NOW

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Brandi Carlile Praises Bonnie Raitt’s ‘Ability to Speak to the Every Man’ While ‘Pushing Radical Concepts’
"Bonnie is a fantastic activist, speaker and leader. I have so much respect"

on March 6, 2023 No comments
By Brianne Tracy

This Women’s History Month, Brandi Carlile is honoring Bonnie Raitt.

Long before she was the Grammy winner the world knows today, Carlile, 41, says she stood outside of Raitt’s concert at the Puyallup Fair nearby her hometown in Washington because she “couldn’t afford to go in.”

“I listened to her lecture rednecks about the environment,” the singer recalls to PEOPLE. “I remember she was one of the first purveyors of biodiesel buses.”

Later, she says, she went to one of Raitt’s shows at the Woodland Park Zoo in Seattle, and she caught Raitt’s guitar pick that said “No Nukes” on it.

“I love Bonnie Raitt’s ability to speak to the every man while pushing radical — and they shouldn’t be considered radical — concepts that challenge people to think broader about one another,” she says. “I just think that Bonnie is a fantastic activist, speaker and leader. I have so much respect. She’s beyond reproach.”

In May, Raitt, 73, will perform at Carlile’s inaugural Mothership Weekend festival in Florida.

“We have a festival in Mexico called Girls Just Wanna Weekend, and we created that festival to speak to the fact that there’s a disparagement in headlining spaces for women in music festivals in the United States,” Carlile says. “That festival sells out every year the minute it goes on sale, so it’s starting to exclude people because it sells out. It’s also excluding people who have monetary restrictions because it’s in Mexico. So we wanted to do something like that stateside, not necessarily centered on women, but celebrating matriarchy.”

Like Raitt, Carlile thinks it’s important to incorporate activism into her career. At the festival, she and her wife Catherine will have an “action village” set up to spotlight LGBTQ+ rights, global maternal health and reproductive rights.

“It’s going to be really interactive,” says Catherine. “Basically, attendees are going to be able to visit these information booths and find out how they can support.”

The first few rows of the venue of the festival are also going to be transformed into a large cove they’re calling the “Teacher’s Lounge.”

“We set aside these passes for educators, and there’s these upgrade opportunities, and it’s a really good view of the gig,” Carlile says. “It’s our way to thank teachers in Florida who are really struggling with oppressive laws surrounding their curriculum. We just want to throw a party for them and have a spot where they can sit and drink wine.”

In the years she’s done her Girls Just Wanna Weekend, Carlile says she’s had so many “powerful” moments. The most recent festival was in January.

“Looking out from the stage this year, I saw so many men,” she says. “I loved it so much. That’s when you see the tides changing — when men realize their role and responsibility in platforming female leadership, and that they realize that it’s f—ing fun.”

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Source: © Copyright People

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