Benefits

Bonnie Raitt, Steve Earle, Taj Mahal and More Cover Iconic Prison Song on ‘Better Than Jail’ Benefit Album

on October 4, 2024 No comments

Better Than Jail, a new benefit album that contains a 12-track lineup of iconic prison song covers, was released today, Friday, Oct. 4. Bringing together a coveted assemblage of Americana, blues, and country artists, the tracklists shuffles classics from Merle Haggard “Sing Me Back Home,” “I Made the Prison Band”) Bob Dylan (“Hurricane,” “I Shall Be Released”), Lead Belly (“Midnight Special”), Bukka White (“Parchman Farm Blues), and more; intergenerational historical alignment from songwriters and modern-day performers that showcase the ongoing need to enact prison reform and reconsider the effectiveness of the correctional system. 

Contributing to the set, and aligning under the mission to raise awareness and support the imminent need to combat criminal justice reform, are Cedric Burnside, Hayes Carll & Allison Moorer, Bonnie Raitt, Jason Isbell and Amanda Shires, Lukas Nelson, Margo Price, Old Crow Medicine Show, Raul Malo, Silverada, Steve Earle, Taj Mahal, and The War and Treaty. Better Than Jail celebrates the rich musical legacy of choice pulls while supporting systematic change steeped in the mission: we can, and must, do better. Striking the LP’s charitable slant, proceeds will go toward Equal Justice USA and Free Hearts, a pair of organizations taking part in boot-on-the-ground work to generate thoughtful and effective change. 

In picking up the conversation that has percolated lyrically for decades, Price uses her pipes to retell Dylan’s story of Rubin “Hurricane” Carter, the wrongly accused boxer who faced racism leading to a false trial and triple murder conviction in 1967, “Here comes the story of the Hurricane/ The man the authorities came to blame/ For somethin’ that he never done/ Put in a prison cell, but one time he coulda been/ The champion of the world.” Raitt gives Leroy Carr’s “Prison Bound Blues” similar treatment, bringing listeners back to the lyrics: “When I had my trial baby, you could not be found/ When I had my trial baby, woooo, you could not be found/ So it’s too latе now, mistreating mama, I’m prison bound.”

I’m so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I’ve been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts.
~ Bonnie Raitt

Elsewhere on the compilation, Old Crow Medicine Show delivers Jimmie Rodgers’ “In the Jailhouse Now.” Commenting on the band’s involvement, Ketch Secor offered, “We are proud and truly humbled by the scope and magnitude of this project. Everyday life looks a whole lot different for the men and women behind bars, and,  with our inclusion in Better Than Jail we seek to ally ourselves with those organizations shining a light in prisons across the country.” He continued, “The quintessential track “In the Jailhouse Now’ is one of Country music’s most popular songs about the big house. During the global pandemic, prison activists – primarily wives, moms, and children of the incarcerated – gathered on the steps of our state capitol to demand a safer environment for inmates in Tennessee. We kept these family members in our hearts as we recorded this song.”

Scroll down to stream the LP now, and consider donating to Equal Justice USA and Free Hearts.

Better Than Jail Tracklist: 

  1. The War and Treaty – “County Jail Blues” (Originally by Big Marco)
  2. Steve Earle – “I Fought the Law” (Originally by The Crickets) 
  3. Bonnie Raitt – “Prison Bound Blues” (Originally by Leroy Carr) 
  4. Old Crow Medicine Show – “In the Jailhouse Now” (Originally by Jimmie Rodgers) 
  5. Hayes Carll & Allison Morer – “Sing Me Back Home” (Originally by Merle Haggard) 
  6. Margo Price – “Hurricane” (Originally by Bob Dylan) 
  7. Raul Malo – “Stripes” (Originally by Johnny Cash) 
  8. Lukas Nelson – “I Shall Be Released” (Originally by Bob Dylan) 
  9. Silverada – “I Made the Prison Band” (Originally by Merle Haggard) 
  10. Taj Mahal – “Midnight Special” (Originally by Led Belly) 
  11. Jason Isbell & Amanda Shires – “The Color of the Cloudy Day” 
  12. Cedric  Burnside – “Parchman Farm Blues” (Originally by Bukka White)

Source: © Copyright Jambands

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Bonnie Raitt’s Grammy-Winning Song of the Year Tells Story of a Mother and Her Child’s Heart Recipient

on February 6, 2023 No comments
Corey Bryant

On Sunday, February 5, Bonnie Raitt took home the Grammy for Song of the Year for her self-penned song, “Just Like That.”

“Just Like That” tells a story of a mother’s journey after the loss of a child, the healing power of organ donation and the connection between a donor family and a recipient. Through powerful lyrics, a mother gets to be with her son one more time because of the kindness of a stranger, and because of the kindness she first showed him.

The Alliance congratulates Bonnie Raitt for her Grammy Award-winning Song of the Year, and we extend our heartfelt thanks for bringing awareness to the profound power of organ, eye and tissue donation. We invite everyone to register as an organ, eye and tissue donor by visiting RegisterMe.org, and sharing your decision with your loved ones.

The following is an excerpt from American Songwriter, describing the origins of her award-winning song:

The Origins

In conversation with American Songwriter, Raitt explained the inspiration for “Just Like That” came from a human interest piece that had been broadcast on the news. The story was about a woman who had donated her son’s heart after his death and was about to meet the organ’s recipient for the first time.

“I just lost it,” Raitt said of the moment the man let the mother hear her late son’s heart in his chest. “It was the most moving and surprising thing. I wasn’t expecting it. I vowed right then that I wanted to write a song about what that would take.”

And so she set out to write the story song, “Just Like That,” and her subsequent album of the same name. In between her words of disbelief, she reiterated the story behind the song in her Grammy acceptance speech, citing the late great John Prine as instrumental inspiration as well.

Watch her acceptance below.

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The Lyrics

“Every time I hear about a family donating organs when their child has been killed, or there’s some sort of sudden death—as if you’re not in grief and shock enough—to have the view and the compassion and the love to be able to pay it forward like that is so incredible,” Raitt told American Songwriter.

“Just Like That” tells the story of the meeting of the mother and the recipient, depicting an interaction that is both heartwarming and gut-wrenching.

I watched him circle ’round the block / Finally stopped at mine / Took a while before he knocked / Like all he had was time, the song begins with curiosity and apprehension ahead of the bittersweet meeting. “Excuse me, ma’am, maybe you can help / The directions weren’t so clear / I’m looking for Olivia Zand / They said I might find her here.”

Well I looked real hard and asked him / “What she’s got he’s looking for?” the song’s narrator responds. Met with the reply Said “there’s somethin’ I think she’d want to know,” the tune takes off on a touching journey of loss and love.

And just like that your life can change / If I hadn’t looked away / My boy might still be with me now / He’d be 25 today, the chorus plays, No knife can carve away the stain / No drink can drown regret / They say Jesus brings you peace and grace / Well he ain’t found me yet.

The next verse reveals why this stranger has come and what it is he has to say. He sat down and took a deeper breath / Then looked right in my face / “I heard about the son you lost / How you left without a trace / I’ve spent years just trying to find you / So I could finally let you know / It was your son’s heart that saved me / And a life you gave us both.”

Just like the exposé that inspired “Just Like That,” the mother gets to be with her son one more time because of the kindness of a stranger, and because of the kindness she first showed him.

And just like that your life can change, the song comes to a close. Look what the angels send / I lay my head upon his chest / And I was with my boy again / Well I spent so long in darkness / I never thought the night would end / But somehow grace has found me / And I had to let him in.

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Source: © Copyright The Alliance

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Pop Quiz: Bonnie Raitt reveals the song that makes her shiver

on March 17, 2018 No comments

By Aidin Vaziri

Bonnie Raitt – Tipping Point Fire Relief Benefit – Fox Theater Oakland CA 2018-03-20

Bonnie Raitt, whose hits include “I Can’t Make You Love Me” and “Something to Talk About,” will spend most of this year away from her Marin County home, playing a mix of solo shows and stadium co-headliners with James Taylor. But the Rock and Roll Hall of Famer plans to make time for a couple of benefit concerts along the way, like the one she’s doing for the Tipping Point’s North Bay Fire Relief Fund at the Fox Theater in Oakland. The Chronicle caught her on the phone while the 68-year-old star was taking a breather in Los Angeles, where she had slipped out from tour rehearsals to sit on a bench overlooking the Pacific Ocean.

Q: Were you home when the Wine Country fires happened?

A: I was there for the first four days and it was devastating. I have four friends who lost everything. With this benefit, I wanted to try to raise some funds for the more underserved communities in the North Bay that don’t have as much access to legal rights; or they’re immigrants afraid to file claims. I also want to be able to help the clinics that are dealing with the ongoing emotional trauma that people are going through. There’s a lot more support that’s going to be needed down the line.

Q: You did a stadium tour with James Taylor last year and now you’re doing it again. Did you enjoy playing in ballparks more than you expected?

A: Wrigley Field and Fenway were a real honor. Most of the shows we did last year were in sports arenas, so when we finally got outside it was like a big party. But if I even think about how many people are going to be out there, it freaks me out.

Q: It must feel good that so many people still turn out to see you.

A: Honestly, the fact that so many legacy artists are retiring or passing away, I think people know it may be an important chance to see people they have developed a longtime relationship with. I feel the same way they do. I want to get it while we’re at the top of our game. For people who love playing live as much as James and I do, that’s where the magic happens.

Q: You have been opening your set with a cover of INXS’ “Need You Tonight.” How does that go over?

A: Oh, my God. When I first started to do it, it made me shiver a little bit. It’s a pretty sexual song. When I started opening shows with it I was like, “Whoa, I’ve got to match this for the next two hours!”

Q: Has it been hard to avoid getting political onstage this year when you see so much of your work undone?

A: It’s a challenge every day to know what happened while we were asleep. You can’t even make up how absurd and painful this is. As far as I’m concerned, we have to get money out of politics — this isn’t a democracy. That’s about as far as I’ll go. A lot of people aren’t necessarily in agreement with my politics, so I don’t hit them over the head with it. I’m just really glad I have an electric guitar to turn up when I’m pissed off.

Bonnie Raitt and Her Band: 8 p.m. Tuesday, March 20. $55-$500. The Fox Theater, 1807 Telegraph Ave., Oakland. http://thefoxoakland.com


Source: © Copyright San Francisco Chronicle

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