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Grammy-winning song hits close to home for Bonnie Raitt’s bassist
Maui resident James Hutchinson knows firsthand the meaning of ‘Just Like That’

on March 30, 2023 No comments
Jon Woodhouse | For the Maui News

When Bonnie Raitt received the Grammy Award for Song of the Year for “Just Like That” in February, her band’s longtime bass player, James “Hutch” Hutchinson, was watching on TV in Los Angeles. Raitt had earlier won Grammys for Best American Roots Song for “Just Like That” and Best Americana Performance for “Made Up Mind,” which meant her band all shared in the award.

“We were all shocked,” said Hutchinson, who has played with Raitt for 40 years and has made Maui his home for 20 years. “We were up for four awards, three of them in the Americana category. We won the first two and then the third one, Americana Album of the Year, Brandi Carlile won and she got up and said, ‘I can’t believe I won this. I thought Bonnie was going to sweep again.’

Bonnie Raitt with James “Hutch” Hutchinson 2019
© Maike Schulz /Gruber Photographers

“We were thrilled to win two out of three,” Hutchinson continued. “The performance award is a band award. Then, of course, the icing on the cake was when she won for Song of the Year, which is the award she really wanted because she’s the sole composer of the tune. So it was big, a big deal.”

Heading to the Maui Arts and Cultural Center for a concert on Friday, Raitt has now won 13 Grammys, including some for her multimillion-selling albums, “Nick of Time” and “Luck of the Draw.”

The title song of Raitt’s latest album, “Just Like That” is an emotionally wrenching song that has touched so many people. She based it on a news story about a mother who donated her deceased son’s organs. It was the first song written by a solo composer to win the award since Amy Winehouse’s “Rehab.”

“‘Just Like That’ is about a woman who loses a son and organ donation, and the trials and tribulations, and the redemption that sometimes comes along with it,” said Hutchinson. “Many a night on stage, I’ve had an emotional reaction to it. She was broken up, as she is every time she sings anything that means something to her.”

The song was especially heartbreaking for Hutchinson as he lost his sister, Ann Hutchinson Tower, the week of the awards, and “she ended up saving two women. Her kidneys went to two younger, fit women in their 50s. Organ donation is important, but I didn’t think I’d be living that song the week we won Song of the Year for it. It was one of the more bizarre, surreal moments of my entire life. There’s been extreme highs and extreme lows.”

In a tough couple of months, he also lost a handful of musician friends, including David Lindley and David Crosby. Hutchinson had been getting ready to head out on tour with Crosby, and had previously recorded with him, and Crosby with Graham Nash, and with Crosby, Stills, Nash and Young.

“I’ve known David for 50 years,” he explained. “I met him when I was 19. He was always in my life, a sort of a mentor and friend and a bandmate many times. The rehearsals in December sounded great. I’d never seen him happier. He was ready to go out and do a final tour. I just loved working with him. My proudest musical moments are anything with David Crosby. I miss him so much.”

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Player’s Pick Podcast #63 – James “Hutch” Hutchinson – December 2020

Talk with Hutchinson and he will regale you with 50 years of encounters with a myriad array of famous musicians, from recording with the Rolling Stones in Ireland to rock ‘n’ roll legend Jerry Lee Lewis. His remarkable list of recording credits includes Ringo Starr, B.B. King, Elton John, Brian Wilson, Al Green, Willie Nelson, Stevie Nicks, Ziggy Marley, Jackson Browne, the Doobie Brothers, Joe Cocker, Roy Orbison, Garth Brooks and Neil Diamond.

What was it like playing with the Beatles’ legendary drummer?

“Ringo is great. He’s funny, and he’s great to be around,” Hutchinson said. “He’s just a fantastic musician, and he loves music and he loves people. I worked with Ringo a number of times. I love people who are easy and fun to work with.”

Proclaimed “The Groove King” by Bass Musician magazine, Hutchinson can comfortably fit into any genre.

His local collaborations include recording with other musicians on Maui like Grammy winner Peter Kater, Pat Simmons Jr. and Gail Swanson. He toured the Mainland with Hapa and was also a regular at Shep Gordon’s Wailea benefit shows. Teaming with John Cruz, he played on a star-studded “Playing for Change” video of “The Weight,” and was filmed in Haiku with Pat Simmons in a marvelous updating of Cat Stevens’ “Peace Train.”

Back on the road with the “Just Like That Tour 2023,” Hutchinson said the Maui show will include “at least four songs” from the latest album.

“The set list changes,” he said. “We know a lot of tunes and you can only play so many per night, and there’s some we have to play. People expect ‘Something to Talk About’ and ‘I Can’t Make You Love Me.’ People want to hear those songs.”

The Maui leg of Raitt’s Just Like That Tour 2023 takes place on Friday at the MACC’s A&B Amphitheater. John Cruz will open. The show begins at 7 p.m. and gates open at 5 p.m. Tickets are $60, $80, $100 and $140 Gold Circle, plus applicable fees, at MauiArts.org.


Source: © Copyright The Maui News

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Watch Bonnie Raitt leave B.B. King in awe with a series of stunning slide solos at the House of Blues Chicago in 2004
King once said that Raitt was the “best damn slide player working today”

on March 8, 2023 No comments
By Jackson Maxwell

B.B. King, a man who knew a thing or two about blues guitar playing, once said that – in his view – Bonnie Raitt was the “best damn slide player working today.”

It’s an opinion few argued with at the time, and fewer still would take umbrage with today.

Raitt and King performed together on a number of occasions, one of which was the 2004 International Achievement Summit, which featured an evening concert at Chicago’s House of Blues headlined – in celebration of his induction into the Academy of Achievement (opens in new tab) – by King.

Mayor Daley, Bonnie, B.B. King and Mavis Staples at the celebration honoring B.B. King’s induction into the Academy of Achievement at House of Blues, Chicago. June 10, 2004 © Ricky Fataar

Raitt performed first on her own, before teaming up with King for a spirited rendition of When Love Comes to Town, a song U2 recorded with King for their 1988 album, Rattle and Hum.

Prior to starting the song, Raitt hits King – much to his delight – with some absolutely searing unaccompanied slide licks. “She loves to mistreat me like that,” King jokes with the crowd in response. “She knows I’m crazy about it!” 

You can see the video of the performance – which begins with Raitt performing her song, Love Sneakin’ Up on You on her own – below.

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Armed with one of her signature Stratocasters, Raitt doesn’t stop with just the unaccompanied intro. Indeed, King – playing “Lucille,” his legendary Gibson ES-355 with no f-holes – seems more interested in listening to Raitt slide around the fretboard than in playing himself.

Though the cameras never get up close with Raitt, you can still get a great sense of her slide technique and how she – by wearing the guitar slide on her middle finger – switches seamlessly between rhythm and slide playing.

At various points, Raitt’s slide work causes King to egg the crowd into cheering her on mid-solo, and even – at one amusing point – get up out of his chair and dance.

“I taught myself to play, so my hand positions aren’t 100 percent correct – and I put the bottleneck on the wrong finger,” Raitt told Guitar World of her unique slide technique in a 2022 interview.

“You can play more if you have it on your ring finger. Fred McDowell used his little finger, but by then I was already down the road with it on my middle finger. I heard Robert Johnson and just tried to make myself sound exactly like whatever he was doing.”

King wasn’t the only electric guitar hero to be left slack-jawed by Raitt’s slide work. In a 2022 interview, Raitt revealed that none other than Prince asked her to teach him her technique.

Joe Bonamassa has also sung Raitt’s praises, naming her lead break on Thing Called Love (from Raitt’s 1989 album, Nick of Time) as one of the 10 greatest blues-rock guitar solos of all time.

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“She plays slide, and you know it’s Bonnie Raitt and you just go, ‘How do you do that with a Stratocaster and a glass slide?’” Bonamassa told Guitar World in 2019.

“It’s because she just has a way of phrasing and it’s in the DNA and it’s intrinsic.”

“You hear what she does with this song, a John Hiatt song, and you go, ‘Wow, it’s just super-original.’ It’s very restrained, but super-effective.

“Then you put that voice on top of it and it’s just like, ‘Yes! That’s it!’ To me, Bonnie Raitt is one of the most underrated guitar players of all time.”

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Source: © Copyright Guitar World

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Brandi Carlile Praises Bonnie Raitt’s ‘Ability to Speak to the Every Man’ While ‘Pushing Radical Concepts’
"Bonnie is a fantastic activist, speaker and leader. I have so much respect"

on March 6, 2023 No comments
By Brianne Tracy

This Women’s History Month, Brandi Carlile is honoring Bonnie Raitt.

Long before she was the Grammy winner the world knows today, Carlile, 41, says she stood outside of Raitt’s concert at the Puyallup Fair nearby her hometown in Washington because she “couldn’t afford to go in.”

“I listened to her lecture rednecks about the environment,” the singer recalls to PEOPLE. “I remember she was one of the first purveyors of biodiesel buses.”

Later, she says, she went to one of Raitt’s shows at the Woodland Park Zoo in Seattle, and she caught Raitt’s guitar pick that said “No Nukes” on it.

“I love Bonnie Raitt’s ability to speak to the every man while pushing radical — and they shouldn’t be considered radical — concepts that challenge people to think broader about one another,” she says. “I just think that Bonnie is a fantastic activist, speaker and leader. I have so much respect. She’s beyond reproach.”

In May, Raitt, 73, will perform at Carlile’s inaugural Mothership Weekend festival in Florida.

“We have a festival in Mexico called Girls Just Wanna Weekend, and we created that festival to speak to the fact that there’s a disparagement in headlining spaces for women in music festivals in the United States,” Carlile says. “That festival sells out every year the minute it goes on sale, so it’s starting to exclude people because it sells out. It’s also excluding people who have monetary restrictions because it’s in Mexico. So we wanted to do something like that stateside, not necessarily centered on women, but celebrating matriarchy.”

Like Raitt, Carlile thinks it’s important to incorporate activism into her career. At the festival, she and her wife Catherine will have an “action village” set up to spotlight LGBTQ+ rights, global maternal health and reproductive rights.

“It’s going to be really interactive,” says Catherine. “Basically, attendees are going to be able to visit these information booths and find out how they can support.”

The first few rows of the venue of the festival are also going to be transformed into a large cove they’re calling the “Teacher’s Lounge.”

“We set aside these passes for educators, and there’s these upgrade opportunities, and it’s a really good view of the gig,” Carlile says. “It’s our way to thank teachers in Florida who are really struggling with oppressive laws surrounding their curriculum. We just want to throw a party for them and have a spot where they can sit and drink wine.”

In the years she’s done her Girls Just Wanna Weekend, Carlile says she’s had so many “powerful” moments. The most recent festival was in January.

“Looking out from the stage this year, I saw so many men,” she says. “I loved it so much. That’s when you see the tides changing — when men realize their role and responsibility in platforming female leadership, and that they realize that it’s f—ing fun.”

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Source: © Copyright People

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