Back during the height of her career — shortly after she swept the 1990 Grammys with her breakthrough album “Nick of Time” — Bonnie Raitt found herself inundated with demo tapes from aspiring songwriters.
So much so, that Raitt used to position boxes of tapes throughout various places in her house, always near a portable cassette deck.
She had a box in her kitchen, another in her bathroom, each one containing dozens of tapes. Perhaps one would be her next hit.
One day she picked up a cassette from a Canadian singer-songwriter by the name of Shirley Eikhard. Raitt had never heard the name before. She thinks it could have been sitting in the box for a couple of years.
Nonetheless, Raitt plugged the tape into the player.
Interview with Graham Rockingham from The Hamilton Spectator - May 2017
tip: most convenient way to listen while browsing along is to use the popup button of the player.
There were four songs on it. One of them was called “Something to Talk About.” It would not only be Raitt’s next hit. It would be her biggest, winning her another Grammy for best female vocal performance in 1992.
“All four of the songs just knocked me out,” Raitt says on the phone from her northern California home. “I loved her voice and I thought it was so far and above anybody else’s tape.”
There was no Internet back then, so Raitt had to start making inquiries about this Eikhard person through her record label. Coincidently, Eikhard was signed to the same label as Raitt, Capitol. Eikhard had had some success in Canada, but was an unknown in the United States.
Eikhard had written her phone number on the tape. Raitt decided to call her up and give her a surprise.
“I waited until I recorded the song, to call up the number on the cassette,” Raitt recalls. ‘I said ‘Hey, Shirley, it’s Bonnie Raitt, listen to this.’ I pushed play and played her own song back and hung up the phone. It went over to voice messaging.
“She called us back and couldn’t have been more delighted. The rest is history. That song is the gift that keeps on giving.”
Not long after, Eikhard and Raitt met face to face at a concert. The two have maintained ties since. She would love to see Eikhard at one of her shows on her upcoming cross-Canada tour, which stops at Hamilton’s FirstOntario Concert Hall on Tuesday, June 6.
Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
I speak my mind and come from a place of conscience, as well as have fun as a musician.
I don't know if I'm a heroine; I'm just somebody that can cheer the troops by singing to folks, and have receptions after the show, and tithe a dollar of every ticket sale for all kinds of different great charities and social action groups.
Quakers are known for wanting to give back. Ban the bomb and the civil rights movement and the native American struggle for justice - those things were very, very front-burner in my childhood, as were the ideas of working for peace and if you have more than you need, then you share it with people who don't.
The consolidation of the music business has made it difficult to encourage styles like the blues, all of which deserve to be celebrated as part of our most treasured national resources.
I think my fans will follow me into our combined old age. Real musicians and real fans stay together for a long, long time.
I grew up in Los Angeles in a Quaker family, and for me being Quaker was a political calling rather than a religious one.
I just play the music that I love with musicians that I respect, and fortunately, I'm in a position where people are willing to play with me, and perhaps I can do something to help them.
I never saw music in terms of men and women or black and white. There was just cool and uncool.
Solar power is the last energy resource that isn't owned yet - nobody taxes the sun yet.
Religion is for those who are scared of hell, and spirituality is for those who have been there.
Life gets mighty precious when there's less of it to waste.
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Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada