NEW YORK (AP) — After back-to-back tours and albums, Bonnie Raitt said finally finding time to deal with the deaths of her father, mother and brother helped her break writer’s block and craft songs for her latest album and tour.
“I don’t write often and easily …This particular time after a period of about 10 years when my family — my parents and my older brother — were all ill and passed away in a short period of time… I was pretty fried, and I took 2010 as a complete break from thinking about what I wanted to do next,” she said. “(I did) some grief work with a support person and I just really felt all the things that had been pushed aside by all that loss and trauma. And I came out of it really grateful.”
Bonnie Raitt poses for a portrait in New York to promote her new album, “Dig In Deep.” – March 7, 2016
by Drew Gurian /Invision/AP
In this March 7, 2016 photo, Bonnie Raitt poses for a portrait in New York to promote her new album, Dig In Deep.”
by Drew Gurian /Invision/AP
In this March 7, 2016 photo, Bonnie Raitt poses for a portrait in New York to promote her new album, Dig In Deep.”
by Drew Gurian /Invision/AP
In this March 7, 2016 photo, Bonnie Raitt poses for a portrait in New York to promote her new album, Dig In Deep.”
by Drew Gurian /Invision/AP
In this March 7, 2016 photo, Bonnie Raitt poses for a portrait in New York to promote her new album, Dig In Deep.”
“Dig In Deep,” released last month, features a number of personal songs Raitt co-wrote as well as her signature guitar. She also said she got a boost from her last album, 2012’s “Slipstream,” which won the Grammy for best Americana album.
“I was rejuvenated by ‘Slipstream’ … and I co-wrote a song on that one with my guitarist …The words didn’t go, so it forced me to write some songs that went with what my experience was, and that kind of got the wheels greased,” she said. “I kind of wrote on assignment. …After all that loss, to finally have the time and freedom and not have to be worrying about family members, I had more opportunity to write.”
On the new album, 66-year-old Raitt co-wrote five of the 12 tracks, including upbeat album opener “Unintended Consequence of Love” and the political “The Comin’ Round Is Going Through.” The album also includes her versions of INXS’ “Need You Tonight” and Los Lobos’ “Shakin’ Shakin’ Shakes.”
She said the second verse of the piano ballad “The Ones We Couldn’t Be,” which she co-wrote, is “really about family members.”
“I know they were sorry they couldn’t be what I needed and I was sorry I couldn’t live up to the expectations,” she said. “And at the time when the relationship’s not working or you’re under stress, you tend to put blame not necessarily where it’s really accurate — it’s all about them, if only they acted different — so the reckoning that happens years later is your realize you both just did the best you could.”
The Rock and Roll Hall of Famer, whose hits include “I Can’t Make You Love Me,” ”Something to Talk About” and “Love Sneakin’ Up on You,” said she’s thrilled to be touring with the new songs. The “Bonnie Live in 2016” tour kicked off last week and will visit New York City, Oakland, Austin and Nashville, Tennessee. She will also play international dates in the summer.
Raitt also said there was some anxiety when she began writing for her new album.
“It made me nervous knowing I was going to be writing more of the songs and I was saying, ‘Oh my God, I know so many people out there, they’re gonna say, ‘This one unfortunately is not as good,'” she said. “I don’t like to be compared (to myself), I just wish everybody would say, ‘She’s doing the best she can’ — especially because it was more risk with my own tunes. But so far everyone’s relating to them so I’m really smiling a lot these days.”
Raitt also wants more people outside of her fan base to gravitate to the new music: “I hope people can relate to it, no matter what age they are.”
Though it’s hard to tell, Raitt said she started to play guitar and write songs as a “hobby.” She recalls getting her first guitar for Christmas and playing some much her fingers bled.
“I just played till I had calluses and my fingers bleed and I just learned every Joan Baez song I could learn, and I became the camp fire counselor that sang the songs at my camp,” she said. “And I just thought music can change the world, and I still feel that way.”
In 2010, Bonnie Raitt was struggling with the loss of her brother and both of her parents. Now, 40-plus years into her career, she has channeled ‘the dark stuff’ into her most personal album.
Before B.B. King‘s May 2015 death, the famed guitarist-singer-songwriter reminisced in his last interview about the artists — T-Bone Walker, Lonnie Johnson, Muddy Waters — who made lasting impressions on his life.
“Add Bonnie Raitt to that list,” the 89-year-old said. “I came up in a macho world and never thought I’d ever declare the best living slide guitarist to be a woman. Well, I’m declaring. I’m also saying Bonnie is as true-blue an artist as anyone before or since. She might be singing pop or she might be singing R&B, but she’s never far from the source. She has become part of the source herself. She’s a master.”
The Friday before the 2016 Grammy Awards — hours before rehearsing the tribute to King she would perform with Chris Stapleton and Gary Clark Jr. — Raitt laughs when she hears the blues giant’s praise. “I appreciate that so much, but when I started out, I never expected to make a living at music. I just fell into it. Man, I had this fruity folky voice I couldn’t stand. Always wanted more gravitas. All I could do was adopt a blues-mama persona. When I opened my mouth to sing, I felt like a woman of 45 but sounded like the 21-year-old pipsqueak I was.”
Today, at 66, Raitt no longer has that problem. Universally respected as an artist, the Rock and Roll Hall of Famer has forged a long and brilliant career that splits into two sections: the 20 years leading up to her 1989 Grammy triumph Nick of Time — the album that sealed her superstardom and has been certified five times platinum by the RIAA — and the 26 years since. Her output has been consistent with her essential blues aesthetic: 20 albums and a staggering 185 guest appearances and duets.
Chris Stapleton, Bonnie Raitt & Gary Clark, Jr. Pay Tribute to B.B. King With ‘The Thrill Is Gone’ at Grammys
Chris Stapleton was joined by Gary Clark Jr. and Bonnie Raitt to pay tribute to one of the 20th century’s most important artists, B.B. King, who died May 14, 2015. Together, the trio of count…
“She is in a league of her own as a performer, singer, guitarist,” says Alabama Shakes frontwoman Brittany Howard, who performed with Raitt in 2014. “In the short time we have spent together, I was amazed at how she carries herself — and her respect and love of music and its history.”
Bonnie Raitt – VH1 Behind The Music – Season 1: Episode 31 – Air Date: June 7, 1998 Produced, Written & Directed by Jason Goodman Narrator: James Jude Forbes, often credited as James Jude or his better-known name, Jim Forbes.
When I got the assignment to do Bonnie Raitt’s Behind The Music, I didn’t really know a lot about her. But as I did my homework, I fell totally in love with both her slide guitar playing, and with her back story. Bonnie started playing guitar as a teen, but only started taking it seriously when she went to Radcliffe, and fell in love with a local music promoter who was also the manager of Son House. It wasn’t long before Bonnie left college and started a masters course in the blues at the feet of the men who had invented it. She is very much the real deal.
This was also my first Behind The Music where the other interviews were equally famous performers. Thanks to Bonnie, I got to meet and spend time with one of my childhood heroes, Jackson Browne, Ruth Brown (really loved her, RIP, Ruth), David Crosby, Melissa Etheridge and Don Was. Just writing that down reminded me of how much fun it was to hang with them.
I got into a pretty heated conflict with the network execs over this act. VH1 came to think that Behind The Music’s success was based on the excesses of the Rock ‘n Roll life style, not interest in the actual artist. In Bonnie’s case, she’d had a lull in her career, and during that lull she drank too much, and slept with some people she wouldn’t have slept with if she hadn’t been drinking. I gave it the focus I thought was appropriate – it is my favorite act in the show – but the network wanted a lot more wretched excess, and ultimately my boss told me the show was a miss because it was too soft. Silly me, I thought my job was to tell Bonnie’s beautiful and moving story, not to try to create controversy when it wasn’t really there. I guess that really does sound naïve, doesn’t it?
Two little things about Bonnie. First, regardless of what VH1 thought, Bonnie loved the show. And when she found out I was making a film the following summer in Indianapolis, where she was coming through on a tour with Jackson Browne, she invited me to the show and to a barbecue backstage afterwards. They both really made me feel like we were old friends, and I really wish I was. They are very cool people.
The other thing is about her marriage to Michael O’Keefe. Usually when you get to the relationship part of the interview, particularly when you’re talking to a married couple, you expect to get a lot of shiny happy talk. But both Bonnie and Michael were quite open that neither was finding their marriage that easy, and I wasn’t exactly surprised when they announced their divorce less than a year after we taped the interviews.
Jason Goodman is a Peabody Award-winning Director/Writer/Producer specializing in long-form television documentary and reality programming. He is based in New York City. jason@jasongoodman.tv
Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Bonnie Raitt is nothing if not loyal. And when she caught wind of the fact that Mike Reid and I were writing and recording together, she was quick to volunteer to sing on our song “The Bridge.” It’s one of my favorite songs Mike and I have written. And I can no longer imagine it without her heroic spirit present. ~ Joe Henry
Released on: 2025-09-05 Producer: Joe Henry Music Publisher: Rivers and Roads Music (ASCAP - admin by Endurance Music Group) Music Publisher: Mule Rider (ASCAP) Music Publisher: Blue Raincoat Music (ASCAP) ℗ 2025 Work Song Inc. marketed and distributed by Thirty Tigers
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Prison Bound Blues · Bonnie Raitt
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada