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Bonnie Raitt Unexpectedly Wins Song of the Year for ‘Just Like That’ at Grammys 2023
"I don't write a lot of songs but I'm so proud that you appreciate this one," Raitt said in her speech

on February 5, 2023 No comments
by Charisma Madarang

Bonnie Raitt took home the award for Song of the Year for “Just Like That” at the Grammys.

“This is just an unreal moment,” Raitt said in her speech. “Thank you for honoring me, the only academy that surrounded me with so much support and appreciates the art of songwriting as I do. I was so inspired for this song by the incredible story of the love and the grace and the generosity of someone that donates their beloved organs to help another person live.”

She added: “The story was so simple and so beautiful for these times. And people have been responding to the song partly because of how much I love and we all love John Prine. And that was the inspiration for the music for this song, telling the story from the inside.

“Just Like That” was also awarded Best American Roots Song, while Raitt also picked up a trophy earlier in the night with “Made Up My Mind” for Best Americana Performance.

“I don’t write a lot of songs but I’m so proud that you appreciate this one and what this means for me and for the rest of the songwriters, who I would not be up here tonight if it wasn’t for the art of the great soul digging, hard working people that put these songs and ideas to music,” Raitt continued. “So I thank my team for helping me get this record out and thank you so much. I’m just totally humbled. I really appreciate it. Thank you.”

The Rock & Roll Hall of Fame-inducted singer recorded the title track for Just Like That… — her first album in six years — in Sausalito, California in summer 2021. The musician self-produced the record and recorded alongside bassist James “Hutch” Hutchinson, drummer Ricky Fataar, keyboardist and backing vocalist Glenn Patscha, and guitarist Kenny Greenberg.

Raitt’s winning single was up against Kendrick Lamar’s “The Heart Part 5,” Beyoncé’s “Break My Soul,” Adele’s “Easy On Me,” Taylor Swift’s “All Too Well (10 Minute Version),” Gayle’s “Abcdefu,” DJ Khaled’s “God Did,” Harry Styles’ “As It Was,” Steve Lacy’s “Bad Habit,” and Lizzo’s “About Damn Time.”

Following her acceptance speech, Raitt told the press room that the song was inspired by her need for good news and thanked her loyal fans for sticking by her.

“To be 73 years old and get a song of the year…when I’m barely a songwriter,” she said. “After five decades, I do it because I love it. But I am so lucky to still get to do this for a living. I’m pinching myself.”

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Source: © Copyright Rolling Stone

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Celebrate Bonnie Raitt’s Birthday By Watching Her Guest-Filled 2002 ‘Austin City Limits’ Appearance
See Bonnie welcome John Prine and more for her second 'ACL' appearance.

on November 8, 2022 No comments

By Nate Todd

Bonnie Raitt was born on this date in 1949. The renowned guitarist and singer-songwriter hails from Los Angeles but also has close ties with Boston, Philadelphia, New York and Austin. Texas has a rich blues tradition and Austin’s famed Antone’s club has long been the epicenter of the Texas blues scene. With her music so rooted in the blues, Raitt’s connection to Austin is no surprise.

What is surprising is that Bonnie’s appearance on another beloved Austin institution, Austin City Limits, in 2002 was just her second and first in nearly 20 years. But the guitarist delivered a doozy on May 16, 2002, welcoming a trio of special guests, including John Prine, which would later air as the premiere for Season 28.

Bonnie’s ACL play in 2002 was also special in that it was filmed outside of the program’s longtime home at the historic Austin City Limits studio at KLRU-TV in Austin. For the beloved Bonnie Raitt, the show had to find new digs in the Austin Convention Center so that more of Raitt’s Austin fans could see the concert, marking just the third time the show had been filmed outside KLRU at the time.

Sitll backed by the show’s iconic backdrop of the Austin skyline, Bonnie Raitt and her band — guitarist George Marinelli, bassist James ‘Hutch’ Hutchinson, drummer Ricky Fataar, keyboardist Jon Cleary, saxophonist Philippe Vieux and percussionist Kenny Nashamba — got the show underway with “Love Letter” from Raitt’s landmark 1989 album, Nick Of Time. Following “Fool’s Game” and “I Can’t Help You Now,” Raitt welcomed her first guest, famed blues guitarist Roy Rogers.

Roy has an impressive resume including performing on and producing four albums for blues legend John Lee Hooker as well as collaborating with Linda Ronstadt, Ramblin’ Jack Elliott, Carlos Santana, Steve Miller, Ray Manzarek and more. For his guest spot with Bonnie at ACL, the guitarists delivered their collaboration, “Gnawin’ On It,” which features a smoking riff from Roy.

After “Silver Lining,” the title track to her 2002 album, Raitt brought out Oliver Mtukudzi. The prolific Zimbabwean musician and activist, who sadly passed away in 2019, collaborated with Bonnie on Silver Lining’s “Hear Me Lord,” on which Oliver delivered his signature husky vocals and spirited performance style. Bonnie continued with an additional Silver Lining cut, “No Gettin’ Over You,” before returning to her previous album, 1998’s Fundamental, with the title track paired with “Good Man, Good Woman” off 1991’s Luck Of The Draw. Raitt then offered the Luck Of The Draw classic, “I Can’t Make You Love Me,” as the penultimate song of the set

“Saved something very special for the end here,” Raitt said before welcoming longtime friend and collaborator, the late great John Prine, to perform his classic that she has largely made her own, “Angel From Montgomery.” The old friends offered a gorgeous duet on the song to wrap up the ACL concert.

To celebrate Bonnie Raitt’s birthday today, watch her guest-filled 2002 Austin City Limits performance below:

Bonnie Raitt – Austin City Limits – Recorded May 16, 2002 and Aired Oct. 5, 2002 on PBS

00:00 Love Letter
04:08 Fool’s Game
08:08 I Can’t Help You Now
11:30 Gnawin’ On It – with Roy Rogers
17:20 Silver Lining
24:01 Hear Me Lord – with Oliver Mtukudzi
30:01 No Gettin’ Over You
34:55 Fundamental / Good Man, Good Woman
40:13 I Can’t Make You Love Me
46:20 Angel From Montgomery – with John Prine

Bonnie’s Band:
George Marinelli – Guitars
James ‘Hutch’ Hutchinson – Bass
Ricky Fataar – Drums
Jon Cleary – Keyboards
Philippe Vieux – Baritone sax
Kenny Nashamba – Percussion

Austin City Limits kicks off its 28th season with the rockin’ rowdy blues of legendary Grammy winner Bonnie Raitt – 16 May 2002 Raitt is joined by blues guitarist Roy Rogers, Zimbabwe pop star Oliver Mtukudzi and singer-songwriter John Prine during her hour-long performance.

For Austin City Limits’ season 28 debut, Raitt performs songs from her most recent album, Silver Lining, plus some of her signature tunes. Highlights include “Gnawin’ On It” featuring Roy Rogers, “Hear Me Lord” with Oliver Mtukudzi and “Angel of Montgomery” with John Prine.

In addition to kicking-off the new season, this episode will go down in Austin City Limits’ history. For only the third time since the series premiered in 1975, this episode was taped outside the historic Austin City Limits studio at KLRU-TV in Austin.
The special performance was recorded at the Austin Convention Center, which gave more of Raitt’s dedicated fans the chance to dance to her soul-bearing blues.

* In Memory of John Prine and Oliver Mtukudzi *

Channel Bonnie’s Pride and Joy
BandsBonnie Raitt (See 41 videos) , Oliver Mtukudzi & Black Spirits (See 9 videos) , Roy Rogers and John Prine (See 40 videos)

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John Prine Finally Gets the Send-Off He Deserved at Nashville’s Week of Tribute Concerts
"You Got Gold" shows delivered a stellar lineup of surprise guests, including Brandi Carlile, Bonnie Raitt, Margo Price, and Kacey Musgraves

on October 12, 2022 No comments
by Charlie Zaillian

TO LIVE IN Nashville is to love John Prine, so it never sat right how quarantine robbed the late singer, songwriter, and hometown hero of a proper in-person memorial when he died of Covid complications in April of 2020. Prine finally got the wake he deserved this week in Nashville with a string of celebratory concerts titled “You Got Gold,” which featured an all-star, cross-generational casts of admirers covering songs and exchanging anecdotes about the man.

On Sunday, performers and presenters remembered Prine’s generous spirit and the way he modeled being a decent human on top of his talents. “This is the type of songwriter you should be — this is the type of man you should be,” John Paul White recalled of his encounters with Prine, before turning in a solo acoustic rendition of “Far From Me.”

Elsewhere, Steve Earle offered a rowdy take on “That’s the Way the World Goes Round,” Lucius captivated with sublime harmonies on “You Got Gold,” Gillian Welch and David Rawlings chilled with “Hello in There,” and the inspired pairing of Valerie June and Nathaniel Rateliff rollicked their way through “In Spite of Ourselves.” Later in the night, R&B cult figure Swamp Dogg gave a sprawling, impassioned take on “Sam Stone” that included a spiel on homeless veterans, further driving home Prine’s original point about the vulnerability of those returning from war.

Kacey Musgraves performs at the John Prine tribute concert Oct. 10 in Nashville. © Emma Delevante

On Monday — what would have been Prine’s 75th birthday — standards like “Angel From Montgomery” off Prine’s eponymous 1971 debut (covered first by Bonnie Raitt on her 1974 LP Streetlights and performed again, with Brandi Carlile, to Monday night’s reverent standing-room audience) spoke to his music’s timelessness, while material from his 2018 sign-off Tree of Forgiveness evidenced its cross generational reach. “I Have Met My Love Today” was rendered as a duet between veteran crooner Chris Isaak and younger counterpart Nicole Atkins, and “Summer’s End” was tackled with aplomb by gifted New Orleanian singer and multi-instrumentalist Leyla McCalla.


One of Prine’s oldest friends and colleagues to perform was Bonnie Raitt, whom he had known since 1971. They both released their debut albums that year and Raitt has been performing “Angel From Montgomery” live ever since, calling it “a cornerstone of emotion for the audience and for me.”

Brandi Carlile and Bonnie Raitt with John’s band performing “Angel From Montgomery” at ‘You Got Gold’ Birthday Celebration for John Prine at The Ryman in Nashville – October 10, 2022 © Reeda Buresh 
'We started out together in the early '70s, Becky (Thatcher) and Tom Sawyer and Steve Goodman (singer-songwriter and longtime Prine collaborator) was Huck Finn,' Bonnie Raitt said before earning an ovation for 'Angel From Montgomery' with Carlile on harmonies. 'We tore it up all through the '70s. And we were just about to tear it up in our 70s.'

“For us all to come together in honor of him this week is so healing for us as well as for the Prine family,” Raitt said of the concerts. “It’s really the wake and the celebration we didn’t get to have yet.”


The amount of talent and heart gathered Monday at the Mother Church was, honestly, staggering. Upstarts included the charismatic Nashville staple Margo Price, red-hot Bluegrass Stater Tyler Childers, and pop-country maven Kacey Musgraves — an avowed super-fan who, early in her career, titled a song “Burn One With John Prine” and eventually got to perform said tune with its namesake — plus, from the West Coast, Milk Carton Kids, a duo whose harmonies on their rendition of Prine’s 1980 track “Storm Windows” induced goosebumps.

Allison Russell and Jeremy Lindsay perform in honor of John Prine at the Ryman Auditorium in Nashville. © Rett Rogers

Heavier in nature were performances by Lyle Lovett, Lucinda Williams, and others whose relationships with the revered songwriter were more peer-to-peer than teacher-and-understudy.

Yet as gifted as Prine proved himself to be at boiling down universal truths into pithy tunes over his long, fruitful career, it was the between-song anecdotes shared by Sunday and Monday’s performers — firsthand reflections of both his big heart, and subtle-yet-wicked sense of humor — that made his loss feel most pronounced and proved that Prine was a man not only gifted in writing about the human experience, but living it too.

The “You Got Gold” concerts wrap up Wednesday night with one last show at the Basement East in East Nashville.

Additional reporting by Jon Freeman.


Source: © Copyright Rolling Stone
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