Bonnie's Pride and Joy

Fansite with ALL the news about Bonnie !

Rock the Earth Planet Defender Award Winners Include Bonnie

on April 22, 2010 No comments

Rock the Earth has announced the winners of its 2010 Planet Defender Awards in conjunction with its Rock the Earth Day celebration. Bonnie Raitt is this year’s winner in the Planet Defender Awards’ Artist category. Raitt was a founding member of MUSE (Musicians United for Safe Energy) which produced the concerts, album and movie, No Nukes in 1979. More recently, Rock the Earth was a recipient of a fundraising Grant from her The BonTaj Collective Action Fund for the organization’s environmental protection work.

Bonnie Raitt with Marc Ross (Rock the Earth) at Bonnaroo Music Festival in Manchester, TN. June 18, 2006

“As a long-time advocate for the environment and safe energy, it is such an honor to receive the Planet Defender award from Rock the Earth”, Raitt said. “This organization has been a faithful non-profit partner in my ongoing effort to share the message of ultimate environmental responsibility with fans at my concerts. Thank you, Rock the Earth, for helping to spread the word about protecting the environment and encouraging people to get involved at the local level. Keep up the great work!

~ Bonnie Raitt

Bonnie Raitt talking about saving the forests. June 18, 2006

Stop Global Warming Founder Laurie David,and Louie Psihoyos,Executive Director of the Oceanic Preservation Society and the Director of the Academy Award winning documentary The Cove, were also selected as the winners in three categories. Planet Defender recipients are nominated by Rock the Earth members and chosen by Rock the Earth’s National Volunteer Staff.


But wait, there's more!

Bonnie Raitt Inducted Into Blues Hall of Fame !

on February 18, 2010 No comments

2010 Blues Hall of Fame Inductees

2010 Blues Hall of Fame Inductee

Bonnie Raitt

While most of Bonnie Raitt’s songs may fall outside the realm of blues, there is no doubting her commitment to and love for the music and the blues musicians themselves. Heavily influenced by, and sometimes mentored by, older blues veterans when she started out, Raitt not only sang soulfully but played bottleneck guitar in the style of Mississippi Fred McDowell. McDowell was one of many artists whose cause she championed over the years–others included Sippie Wallace, Charles Brown, and Ruth Brown.

After she began to tour on the strength of her first albums in the 1970s, she often insisted that blues performers be booked as her opening act, and her manager, Blues Hall of Fame member Dick Waterman, also represented many of the top traditional and Chicago blues acts of the era.
Raitt’s highest level of commercial success came in the 1989 with the album Nick of Time and in the 1990s with Luck of the Draw and Longing in Their Hearts.

Among her Grammy Awards was one for Best Traditional Blues Recording shared with John Lee Hooker in 1989 for their collaboration on ‘I’m in the Mood.’ Raitt also played or sang on blues albums by B.B. King, A.C. Reed, Sippie Wallace, Buddy Guy, Junior Wells, Ruth Brown, Charles Brown, Keb’ Mo’ and Joe Louis Walker.

Her contributions to the blues have also included assisting artists in royalty recovery as co-founder of the Rhythm & Blues Foundation, helping to fund headstones and memorials, and quietly, sometimes anonymously, donating money to blues singers in need. Bonnie Raitt’s example is one that ought to inspire many other blues-influenced performers from the worlds of rock and pop music.

Lonnie Brooks, Charlie Musselwhite & Bonnie Raitt to be honored

By Reverend Keith A. Gordon, About.com Guide

20032_313041979651_2081517_n

The Blues Foundation has announced the artists that it will be inducting into its Hall of Fame this year, and they’ve really done a great job with their choices–much better, in my humble estimation, than the Rock & Roll Hall of Fame Foundation has done lately with their inductions.
Chaired by publisher Jim O’Neal, founding editor of Living Blues magazine, the Hall of Fame committee is comprised of blues scholars, historians, record producers, and radio programmers.

The Blues Hall of Fame committee has chosen six worthy blues artists, two non-performing supporters of the genre, and a handful of recordings for induction into the Blues Hall of Fame in 2010. The induction ceremony will be held at the organization’s annual dinner the night before the 2010 Blues Music Awards ceremony scheduled for Thursday, May 6th, 2010 at the Cook Convention Center in Memphis.

Contemporary Blues Inductees
The Blues Foundation’s 2010 Blues Hall of Fame inductees include Chicago blues guitar great Lonnie Brooks; harmonica master Charlie Musselwhite; and popular blues-rock singer/songwriter Bonnie Raitt among its contemporary artists. Lonnie Brooks has forged a distinctive style that is often described as “voodoo blues,” mixing elements of R&B, Chicago blues, Memphis soul, and Cajun music into an intoxicating brew. A master showman and charismatic performer, Brooks has often branched out beyond records to take advantage of other mediums. The guitarist appeared in the movie Blues Brothers 2000 as well as various television shows, and co-wrote the book Blues For Dummies with his son Wayne Baker Brooks, and roots-rocker Cub Koda.

Harp blaster Charlie Musselwhite rose out of the Chicago blues scene of the 1960s and, along with Paul Butterfield, helped bring blues music to a young white audience. His move to Northern California late in the decade brought his blues to the children of flower-power and, in the decades since, the artist has been an effective ambassador for blues music. More than anything, however, Musselwhite has helped expand the stylistic barriers of the blues, bringing elements of jazz, Tex-Mex, and even world music into his traditional mix of Delta and Chicago blues styles.

Blues Hall Of Fame members Dick Waterman (2000) and Bonnie Raitt (2010)
+ 4
Blues superstars Charlie Musselwhite (third from right) and Bonnie Raitt visit with friends Wednesday in the Marriott Hotel's grand ballroom before their induction into the Blues Hall of Fame in Memphis. Pictured with them are (from left) legendary bluesman Hubert Sumlin; Judy Peiser (standing), director of the Southern Folklore Center in Memphis; Henrietta Musselwhite; and California filmmaker Robert Anderson. Blues Foundation, Marriott Hotel, Memphis 5-5-2010
Denise LaSalle (1934–2018) and Bonnie in 2010 at the Blues Hall of Fame event in Memphis.

Bonnie Raitt is, perhaps, the best-known of this year’s Blues Hall of Fame inductees, a popular blues-rock performer with a string of hits to her credit. Although best-selling, chart-topping albums like Nick of Time and Luck of the Draw and multiple Grammy Award wins often overshadow Raitt’s blues roots, as a guitarist she is respected enough to perform alongside legends like John Lee Hooker, B.B. King, Buddy Guy, and Taj Mahal, among others, on both the stage and on recordings. Raitt is committed to blues music as an art form, and as co-founder of the Rhythm & Blues Foundation, she has helped older artists with royalty recovery, and she had frequently helped fund headstones and memorials for deceased artists.

Early Era Blues Inductees
Its surprising, perhaps, that it’s taken this long, but W.C. Handy, “The Father of the Blues,” will be inducted this year, along with jug band pioneer Gus Cannon and Cannon’s Jug Stompers, and boogie-woogie blues piano great Amos Wilburn.

W.C. Handy, for whom The Blues Foundation originally named its Blues Music Awards (pre-2001), was better-known as a music publisher than as a musician and performer. Adapting the blues tunes that he heard on his travels through the South, Handy would go on to compose such blues music standards as “St. Louis Blues” and “Memphis Blues.” Handy would go on to pen a best-selling autobiography, titled Father of the Blues, and a statue of the influential songwriter stands quietly in his honor on Beale Street in Memphis.

Memphis blues legend Gus Cannon originally recorded as “Banjo Joe” during the late-1920s, but it was his recordings for the Victor label circa 1928-30 with his band Cannon’s Jug Stompers, that would create his legacy. So popular and influential were the Cannon Jug Stompers’ recordings that rockers like the Grateful Dead and the Lovin’ Spoonful would later cover the band’s songs. Cannon would record a final album for the Stax label during the 1960s, passing away in Memphis in 1979.

Pianist Amos Milburn was one of the lucky artists that would make the transition from straight blues to R&B, Milburn’s combination of rollicking piano blues and soulful ballads would score the singer a string of hits during the 1940s and ’50s, including songs like “Chicken Shack Boogie,” “Bewildered,” and “One Scotch, One Bourbon, One Beer.” Sadly, the hard-living bluesman would be sidelined by a stroke in 1970 and had virtually disappeared from the music scene before his death in 1980.

Non-Performing Inductees
The Blues Foundation also recognizes excellence in other creative areas that surround the blues, and in the “Non-Performers” category this year they’ll be honoring one of my favorites, noted music writer Peter Guralnick. The author of definitive biographies on artists like Elvis Presley and Sam Cooke, as well as books like Sweet Soul Music, Lost Highway and Searching For Robert Johnson, Guralnick is one of music’s hardest-working historians, his work offering insight into, and documenting blues, early rock, and roots music.

Radio personality Sonny Payne, the long-time host of the King Biscuit Time program on WFFA radio in Helena, Arkansas, will also be inducted into the Blues Hall of Fame. Payne started working at the station as an errand boy upon its inception in 1941, witnessing early live, on-air performances by Sonny Boy Williamson and Robert Jr. Lockwood. After serving in the military and playing in various bands, Payne would come back to the station in 1951, eventually taking over the hosting of King Biscuit Time.

Hall of Fame Recordings, Literature
Each year, the Blues Hall of Fame also acknowledges the excellence and achievement of individual blues singles and album tracks, as well as full-length blues albums, and even works of literature. This year’s choices in these areas include the following:

Otis Rush – “All Your Love (I Miss Loving)” (1958 single)
Little Willie John – “Fever” (1956 single)
Big Bill Broonzy – “Key To The Highway” (1941 single)
Blind Lemon Jefferson – “Match Box Blues” (1927 single)
Howlin’ Wolf – “Spoonful” (1960 single)
Robert CrayStrong Persuader (1986 LP)
Lowell FulsonHung Down Head (1970 LP)
Fenton RobinsonI Hear Some Blues Downstairs (1977 LP)
In the “Literature” category, blues historian Sam Charters’ 1967 book The Bluesmen will also be honored by the Blues Hall of Fame. Documenting the lives some of the earliest artists in the blues, Charters’ ground-breaking tome included chapters on bluesmen like Charley Patton, Skip James, Robert Johnson, and Son House, among others.

The Blues Foundation

The Blues Foundation was formed in Memphis in 1980 as a non-profit organization to preserve the rich heritage of the blues and promote excellence in blues music. Consisting of over 160 affiliated organizations worldwide, The Blues Foundations sponsors the annual Blues Music Awards, The International Blues Challenge, and the organization’s “Blues In The Schools” educational program. Check out The Blues Foundation website for more information on its programs.

Source: © Copyright LiveAbout.com and STLBlues.net and Delta Blues Museum See also:
More photo’s of the event Bob Corritore
The Blues Foundation – Hall of Fame Museum
Guide to The Blues Hall of Fame Museum in Memphis

2010 BLUES HALL OF FAME INDUCTEES ANNOUNCED

May 1, 2010

Bonnie Raitt is among the artists selected to be inducted into the Blues Hall of Fame this May.
While most of Raitt’s songs may fall outside the realm of blues, there is no doubting her commitment to and love for the music and the blues musicians themselves.
Heavily influenced by and sometimes mentored by older blues veterans when she started out, Raitt not only sang soulfully but played bottleneck guitar in the style of Mississippi Fred McDowell.
McDowell was one of many artists whose cause she championed over the years – others included Sippie Wallace, Charles Brown, and Ruth Brown.

After she began to tour on the strength of her first albums in the 1970s, she often insisted that blues performers be booked as her opening act, and her manager, Blues Hall of Fame inductee Dick Waterman, also represented many of the top blues acts of the era.
Raitt, whose 1989 album Nick of Time rose to the top of pop charts, has had far more commercial success outside the blues. But the Blues Hall of Fame committee said it was recognizing her for her devotion to the genre and its musicians.
Among her Grammy Awards was one for Best Traditional Blues Recording shared with John Lee Hooker in 1989 for their collaboration on “I’m in the Mood.” Raitt also played or sang on blues albums by B.B. King, A.C. Reed, Sippie Wallace, Buddy Guy, Junior Wells, Ruth Brown, Charles Brown, Keb’ Mo’ and Joe Louis Walker.
Her contributions to the blues have also included assisting artists in royalty recovery as co-founder of the Rhythm & Blues Foundation, helping to fund headstones and memorials, and quietly, sometimes anonymously, donating money to blues singers in need.
Bonnie Raitt’s example is one that ought to inspire many other blues-influenced performers from the worlds of rock and pop music.

The Blues Hall of Fame induction ceremony will be May 5 in Memphis, TN, the evening before the Blues Music Awards.

–Jim O’ Neal


See also:
The Blues Foundation – Jay Sieleman
But wait, there's more!

All-star concert honors life of Norton Buffalo

on January 25, 2010 No comments

Bay Area music stars shine in tribute to Norton Buffalo

Joel Selvin, Chronicle Senior Pop Music Correspondent
January 25, 2010

1 / 23
Maria Muldaur, left, performs with Bonnie Raitt during a benefit tribute show for harmonica player Norton Buffalo at the Fox Theater in Oakland, Calif. on Friday, Jan. 22, 2010. Buffalo, who was born in Oakland, appeared on more than 180 albums in his career and spent 33 years with the Steve Miller Band. 100% of the concert proceeds will go to the Buffalo family. Buffalo died from cancer on Oct. 30.
by Jane Tyska

Nobody ever knew anybody like Norton Buffalo. It was his gift to make anyone he met feel like his friend. He played on more than 180 albums, and every one of the musicians who hired him thought he was their friend.

When Buffalo was diagnosed with lung cancer in September after getting off his summer tour with the Steve Miller Band, his longtime bandleader and close friend talked to Buffalo about putting together a benefit concert.

Three days before he died, a few short weeks later, Buffalo OKd Miller’s plans to bring some of Buffalo’s friends together for a pair of concerts that took place over the weekend at Oakland’s recently refurbished Fox Theater.

He died knowing that friends and admirers like Miller, the Doobie Brothers, Bonnie Raitt, Charlie Musselwhite, George Thorogood and Huey Lewis agreed to play the shows. He told Miller he wanted the proceeds to pay off his mortgage.

Over the 33 years Buffalo played in his band, Miller did more than 5,000 shows with Buffalo, singing every song together. Miller introduced Buffalo every night as “my partner in harmony.” Buffalo’s death punched a hole in his heart. His widow, Lisa Flores, visited Miller’s hotel room Saturday afternoon and gave him Buffalo’s signature hat, scarf and his favorite harmonica.

“This is hard,” he said, standing on the side of the stage after introducing the opening act, Buffalo’s own band, the Knockouts.

Buffalo’s baby sister Josephine walked up to Miller on the side of the stage and introduced herself. Miller held her in a close embrace and they talked intensely. “I can’t get my head around the fact that he’s dead,” he told her.

Who can? All night, a procession of his musician colleagues took the stage and spoke of his spirit, his generosity, his talent, his goofy humor, his extraordinary love of mankind. Bonnie Raitt delivered extravagant, heartfelt praise and then launched a wrenching bottleneck blues on acoustic guitar, “I Can’t Get Over You.”

After her performance, she huddled with Miller on the side of the stage, their foreheads practically touching, arms over each other’s shoulders. Miller emerged weeping. At that exact moment, Elvin Bishop walked up to Miller with a small gift: a bottle of homemade hot sauce from peppers Bishop grows in his Lagunitas backyard. Miller uncapped the bottle and took a swig, as Bishop’s eyes widened.

“I’ve never seen it done like that,” Bishop said.

“It stopped me from crying,” said Miller, smiling.

Bonnie R, Roy Rogers 1-22-10

Steve Miller Band & Bonnie Raitt @ The Fox Theatre

Steve Miller Band with Bonnie Raitt & Charlie Musselwhite- Crossroads

All the musicians paid their own expenses – travel, hotel, food – and some went to extraordinary lengths to be there. Ricky Peterson, Raitt’s keyboard player, missed the Friday show because of weather conditions in Minnesota, where he lives. Marin County utility keyboard man Audie de Lone substituted, but Peterson was there for the second night to play a spectacular keyboard duet with Raitt on “Nick of Time” (Huey Lewis never made it out of snowy Montana).

The shows and silent auction seemed to be on target to raise the $250,000 goal, enough to cover his medical expenses and retire his mortgage.

The five-hour concert laid out a banquet of music. Everybody played with everybody. Bishop joined the Doobie Brothers to sing his song “My Dog” and rattle off some blistering guitar. He came back to play with Miller and add still more blistering guitar. Blues harmonica virtuoso Musselwhite sat in with Raitt, the Doobies and Miller. Raitt traded molten blues guitar solos with the boys – Miller and Bishop – during the Miller band set and sang “Listen to the Music” with the Doobies.

George Thorogood played Bo Diddley with Miller, shaking Buffalo’s maracas. Michael Carabello of the original Santana band took over for Buffalo on congas in Miller’s set. Miller himself played the harmonica part to “Livin’ in the U.S.A.” – like he did before and hasn’t since Buffalo joined the band in 1977.

The party flowed backstage. With a couple hundred sporting backstage passes, old friends were seeing one another for the first time in years in every corner. Freddie Herrera, who ran the Keystone Berkeley nightclub through the ’70s and ’80s, a silver-haired fox about to celebrate his 75th birthday, knelt in front of a bench holding George Thorogood, Elvin Bishop and Pat Simmons of the Doobie Brothers and hugged all of them at once.

Attorney General Jerry Brown, who as mayor oversaw the downtown Oakland development that the new Fox anchors, wandered around backstage, looking a little like he showed up at the wrong party. Of course, the entire place did reek of marijuana smoke.

Buffalo was everywhere. His friends told each other stories about him. Thorogood told about Buffalo telling him that he went to prisons to give inmates music lessons on different instruments in his spare time. “Spare time?” said Thorogood. When Buffalo wasn’t with Miller, he did dates all over the country with Roy Rogers and when they weren’t working, he played smaller gigs with the Knockouts. When he was home in Paradise (Butte County), he worked in a trio with his wife.

Miller promised Buffalo he would take care of his music. The Steve Miller Band has a new album in the can with Buffalo on every track. The musicians at the Fox talked about making the Norton memorial an annual event. People are only now beginning to get around to understanding what a huge loss this is.

E-mail Joel Selvin

Source Copyright ©: SFGate

Solid, blues-soaked all-stars pay loving tribute to the late, great Norton Buffalo

By Jim Harrington | jharrington@bayareanewsgroup.com | Bay Area News Group
January 23, 2010

OAKLAND — Nobody wanted it to happen. They all wished there was no need. Yet, they showed up to pay tribute to their fallen comrade Norton Buffalo, who died at age 58 on Oct. 30 after battling lung and brain cancer.

“We are going to miss him,” remarked the Doobie Brothers’ John McFee. “But the idea is for Norton to be here while we’re playing.”

And he was — at least in the hearts and thoughts of the performers and the sold-out audience that turned out to the “Tribute to Norton Buffalo: A Celebration of a Life” concert on Friday night at the Fox Theater in Oakland. The concert — which repeats tonight at the same venue — turned out to be a moving night of music that did justice to the great legacy of the Oakland-born, Richmond-raised harmonica hero.

The cast included Bonnie Raitt, the Doobies, Steve Miller, George Thorogood and Elvin Bishop, as well as many other artists that had worked with Buffalo over the decades. They gave of their time for many reasons — not the least of which was to raise money to help Buffalo’s family with the medical expenses incurred during the harmonicat’s illness. Perhaps the main reason, however, is that they knew Buffalo would have been there for them.

“If there was a good cause,” Maria Muldaur remarked during her time onstage with Bonnie Raitt, “Norton was there.”

That’s one of the reasons Buffalo was so popular in the local music community — by all accounts, he was an extremely generous and giving man. It’s that trait, more than all the platinum records that he played on as a sideman, which defines his legacy. It also explains why organizers were able to easily assemble such an impressive lineup for these tribute shows.

Following an opening set by Buffalo’s old band the Knockouts, Raitt took the stage and performed a blues-soaked set of solid tunes. Raitt, who’d enlisted Buffalo’s services on 1977’s “Sweet Forgiveness,” was joined by guests including Muldaur, harmonica guru Charlie Musselwhite and slide-guitarist-supreme Roy Rogers. Raitt was in fine voice and spirits throughout the set.

“Buff-a-palooza!” she howled to the crowd. “That’s what we got going on.”

The Doobie Brothers, who utilized Buffalo’s mighty talents on their Grammy-winning 1978 album “Minute by Minute,” followed Raitt and turned in what was surely the set of the night. The seven-piece band, which featured two drummers and three guitarists, chugged through a dozen great tunes that, collectively, screamed that the Doobies deserve to be enshrined in the Rock and Roll Hall of Fame.

The group, which was joined by Elvin Bishop for a few numbers, displayed mesmerizing harmonies and ace musicianship throughout the set. Some might’ve forgotten just how many stand out songs the Doobies have in their catalog, but the steady succession of hits performed at the Fox — including “Jesus is Just Alright,” “Listen to the Music,” “China Grove” and “Black Water” — served as a joyous reminder. It was odd, however, that the band shied away from playing the big hits from “Minute by Minute,” given that Buffalo appeared on that album.

The headlining slot was reserved for Buffalo’s best-known collaborator, Steve Miller. The two began making music together in the mid-’70s and Buffalo remained in Miller’s band for the rest of his life.

It was a treat to see Miller, who is accustomed to playing large outdoor amphitheaters, perform in a relatively intimate venue. He certainly provided plenty of bang for the buck by delivering a two-hour set.

Miller was joined by numerous guests, including Raitt and Thorogood. Unfortunately, Huey Lewis, who was scheduled to perform with Miller, didn’t make it. Miller announced that Lewis was stuck in Montana, which was a shame, since it would’ve been fun for fans to see the two Bay Area music legends trade vocals.

As expected, Miller connected most strongly with the audience when he booked through his greatest hits. Thousands of voices joined in the choruses to such favorites as “Take the Money and Run,” “Jet Airliner” and “Jungle Love.”

There was, of course, one voice missing, one that will be missed for years to come.


Read Jim Harrington’s Concert Blog at http://blogs.mercurynews.com/aei/category/concerts/.

Source Copyright ©: The Mercury News Some more photo’s:
Bay Area music stars shine in tribute to Norton Buffalo But wait, there's more!