B.B. King, a man who knew a thing or two about blues guitar playing, once said that – in his view – Bonnie Raitt was the “best damn slide player working today.”
It’s an opinion few argued with at the time, and fewer still would take umbrage with today.
Raitt and King performed together on a number of occasions, one of which was the 2004 International Achievement Summit, which featured an evening concert at Chicago’s House of Blues headlined – in celebration of his induction into the Academy of Achievement (opens in new tab) – by King.
Raitt performed first on her own, before teaming up with King for a spirited rendition of When Love Comes to Town, a song U2 recorded with King for their 1988 album, Rattle and Hum.
Prior to starting the song, Raitt hits King – much to his delight – with some absolutely searing unaccompanied slide licks. “She loves to mistreat me like that,” King jokes with the crowd in response. “She knows I’m crazy about it!”
You can see the video of the performance – which begins with Raitt performing her song, Love Sneakin’ Up on You on her own – below.
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Armed with one of her signature Stratocasters, Raitt doesn’t stop with just the unaccompanied intro. Indeed, King – playing “Lucille,” his legendary Gibson ES-355 with no f-holes – seems more interested in listening to Raitt slide around the fretboard than in playing himself.
Though the cameras never get up close with Raitt, you can still get a great sense of her slide technique and how she – by wearing the guitar slide on her middle finger – switches seamlessly between rhythm and slide playing.
At various points, Raitt’s slide work causes King to egg the crowd into cheering her on mid-solo, and even – at one amusing point – get up out of his chair and dance.
“I taught myself to play, so my hand positions aren’t 100 percent correct – and I put the bottleneck on the wrong finger,” Raitt told Guitar World of her unique slide technique in a 2022 interview.
Bonnie Raitt: “I didn’t see anybody play slide, so I just figured it out in my room – and I put the bottleneck on the wrong finger!”
The blues-rock master takes us inside her bold new album, Just Like That…, and charts her never-ending journey through the world of slide guitar Rock and Roll Hall of Famer Bonnie Raitt returns to some of her beloved musical and lyrical themes on Just Like That…, her first new album in more than six years.
“You can play more if you have it on your ring finger. Fred McDowell used his little finger, but by then I was already down the road with it on my middle finger. I heard Robert Johnson and just tried to make myself sound exactly like whatever he was doing.”
Joe Bonamassa has also sung Raitt’s praises, naming her lead break on Thing Called Love (from Raitt’s 1989 album, Nick of Time) as one of the 10 greatest blues-rock guitar solos of all time.
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“She plays slide, and you know it’s Bonnie Raitt and you just go, ‘How do you do that with a Stratocaster and a glass slide?’” Bonamassa told Guitar World in 2019.
“It’s because she just has a way of phrasing and it’s in the DNA and it’s intrinsic.”
“You hear what she does with this song, a John Hiatt song, and you go, ‘Wow, it’s just super-original.’ It’s very restrained, but super-effective.
“Then you put that voice on top of it and it’s just like, ‘Yes! That’s it!’ To me, Bonnie Raitt is one of the most underrated guitar players of all time.”
Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.
Bonnie Raitt accentuated the positive, while ignoring the negative, in her latest response on social media following the controversy which surrounded her surprise win at the 65th Grammy Awards.
Raitt sent shockwaves through popular music when her “real-life” roots song “Just Like That” shut out popular artists like Harry Styles, Beyonce and Taylor Swift to win the sought-after Song of the Year Grammy.
There was a largely negative response in the mainstream media, with Rolling Stone labeling it as a WTF moment and declaring it “a typical Grammy blunder.” The magazine added: We thought the Grammys had moved beyond such bizarrely out-of-touch choices, but apparently not.”
And the U.K. Daily Mail declared: “So who is Bonnie Raitt?”
Showing the same dignity she displayed in her Grammy acceptance speech, Raitt posted on Facebook: “I’ve been so deeply moved, often to tears, reading the personal stories of hundreds of you, some of whom have had no familiarity with me or my music before I won that Grammy, and were curious why this song had won.”
Raitt was inspired to write her winning song after watching a news story about a mother who met the recipient of her dead son’s transplanted heart. Her endearing lyrics relate – in the first-person narrative – how the mother gets to hear her boy’s heart beating again: I lay my head upon his chest And I was with my boy again
And it was the issue of organ donation which dominated her Facebook response: “After listening, many of you wrote that you were moved to tears, even inspired to share your own heart-wrenching stories of either having your loved one’s life saved by an organ donation, or having decided at the height of the terrible shock and loss of losing a beloved, that you would donate their organs so that others could live. “
Raitt added: “So many messages from nurses and doctors in the field involved with transplants as well as people who were tragically not able to get an organ in time to save their loved one’s life. There are messages from the family members of people who wanted their organs to be donated, but are now living with the guilt when that wish, for whatever reason, was not able to be fulfilled. These stories run the gamut and I’m just blown open by the vulnerability and power of each of them.”
Raitt is no stranger to popular causes and her social activism dates back to her early recording days in the 1970’s. She has wasted little time in in converting the success of Just Like That” into raising awareness of organ donation: “May the song bring about even more awareness and motivation for more of us to support organ donation registration and infrastructure — removing obstacles that have hindered helping thousands connecting to facilitate this miraculous gift of life and help bring comfort to those suffering such tragic loss.”
And in her Facebook posting, she referenced her followers to an Op-Ed in USA Today by Dr Maureen McBride, the interim CEO of United Network for Organ Sharing.
As might be expected, Dr McBride used Raitt’s success to further the cause of organ donations. “Her song was inspired, she said, by love and the grace and generosity of someone (who) donates their beloved’s organs to help another person live.”
She concluded: “Bonnie Raitt sang so beautifully about a life saved by an organ donor. Thousands of Americans are alive today because of transplants. Thousands join them every year. Nonetheless, we must take decisive action to best serve the thousands more who are still waiting.”
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Another feature of Raitt’s Grammy speech which got much feedback, especially in the Americana music community, was how much she had been inspired to write following the death in 2020 of her old friend and collaborator John Prine.
In her latest posting she again referred to how seeing the news story on the transplanted heart had triggered memories of Prine: “I knew after it stayed with me for weeks, that I wanted to write my own story, inspired so much by John Prine’s music and his beautiful ‘Angel from Montgomery,’ which I’ve sung every show since hearing it in the early 70’s.”
Like many departed music legends, Prine’s fan base has not diminished since his loss and Raitt’s special tribute triggered a lively response across various social media fan sites. Prine’s widow Fiona Whelan Prine and Oh Boy Records, the independent record label Prine co-foundered, have also maintained a high profile in the past two years. And his official site gratefully acknowledged Raitt’s kind words without lifting the spotlight off her achievement.
The singer-songwriter won song of the year for “Just Like That,” surprising audiences and even herself. Raitt, 73 — who was up against artists like Lizzo, Taylor Swift, Harry Styles and Beyoncé — was visibly shocked to hear her name being announced during the Feb. 5 telecast.
Her win touched many people’s hearts including those who related to the song’s lyrics, which were inspired by a true story about an organ donor.
Bonnie Raitt is shocked to learn she won song of the year Grammy: ‘Are you serious?’
“I’m just totally humbled. I really appreciate it,” she told the audience.
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In a Feb. 10 message posted on her website, Raitt began by sharing how she wanted to respond to “the incredible outpouring of messages that have come in” since her big win.
Read Raitt’s full letter below:
I wanted to respond to the incredible outpouring of messages that have come in since my song, “Just Like That,” won the Grammy award last Sunday night for Song of the Year.
I’ve been so deeply moved, often to tears, reading the personal stories of hundreds of you, some of whom have had no familiarity with me or my music before I won that Grammy and were curious why this song had won. After listening, many of you wrote that you were moved to tears, even inspired to share your own heart-wrenching stories of either having your loved one’s life saved by an organ donation, or having decided at the height of the terrible shock and loss of losing a beloved, that you would donate their organs so that others could live.
These stories and your responses to my song have moved me as much as anything I can remember and I want to thank you so much for this gift. So many messages from nurses and doctors in the field involved with transplants as well as people who were tragically not able to get an organ in time to save their loved one’s life. There are messages from the family members of people who wanted their organs to be donated, but are now living with the guilt when that wish, for whatever reason, was not able to be fulfilled.. These stories run the gamut and I’m just blown open by the vulnerability and power of each of them.
I am so honored that my song and the original news story that inspired it, are eliciting such a deep emotional response for so many. The story behind the song is this: A few years ago I saw a segment on the evening TV news where they followed a woman who was meeting the man who had received her son’s heart for the first time. It was very emotional, but when he invited her to put her head on his chest and listen to her son’s heart, I just lost it. I knew after it stayed with me for weeks, that I wanted to write my own story, inspired so much by John Prine’s music and his beautiful “Angel From Montgomery,” which I’ve sung every show since hearing it in the early 70’s. I wrote about a fictional woman, Olivia Zand, torn by grief and guilt at the loss of her young son, who finds redemption and grace through the loving act of another.
May the song bring about even more awareness and motivation for more of us to support organ donation registration and infrastructure — removing obstacles that have hindered helping thousands connecting to facilitate this miraculous gift of life and help bring comfort to those suffering such tragic loss. I’ve included a link here to organdonor.gov to register as an organ, eye and tissue donor in an effort to more directly connect to and support the 104,085 men, women, and children currently on the national transplant waiting list.
Thank you all so much again for your incredible responses and sharing your beautiful stories. More than any award, fame or commercial success, knowing what my song means to so many may be the greatest gift of all.
Blessings to you, Bonnie
Bonnie Raitt’s song of the year spotlights organ donation. Too often, we waste that gift.
Bonnie Raitt’s Grammy-winning song was inspired by a life saved by an organ donor. But 20% of organs from selfless donors are not transplanted.
Read More
www.usatoday.com
The story stayed with her for weeks and inspired her to write “Just Like That.” She also gained inspiration from John Prine’s music and his song “Angel From Montgomery.” The two musicians were longtime collaborators and friends. Prine, who died in 2020, wrote the song in 1971, with Raitt covering to acclaim since 1974.
Additionally, the singer noted her message was inspired by an op-ed written by Dr. Maureen McBride for USA Today that was published the day before. She also encouraged people to become organ donors.
Bonnie’s response to the outpouring of emotional messages to “Just Like That.” | BonnieRaitt.com
The Official Website of Bonnie Raitt
“More than any award, fame or commercial success, knowing what my song means to so many may be the greatest gift of all,” she concluded, before directing people to the comments section of her lyric video to read people’s inspiring and heartbreaking stories.
Raitt also won two additional Grammys that night in the best American roots song and best Americana performance categories, bringing her total to 13 total wins.
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Mom hears late son’s heartbeat again – in organ recipient’s body
Anna Lewis was able to hear the beating of her late son’s heart, which was donated to another man who desperately needed it to live.
Liz Calvario is a Los Angeles-based reporter and editor for TODAY.com who covers entertainment, pop culture and trending news. She enjoys rocking a stylish outfit, a good cup of coffee, traveling and the soulful sounds of the Backstreet Boys.
David Dye / Alan Onny? - December 18, 1972 - 93.3 WMMR
David Dye - December 1972 - 93.3 WMMR
Michael Tearson / Paul Messing (OPUS) - March 6, 1972 - 93.3 WMMR
Michael Tearson - March 9, 1972 - 93.3 WMMR
Luke O'Reilly - August 27, 1971 - 93.3 WMMR
Ed Sciaky - March 9, 1972 - 93.3 WMMR
No Nukes - MUSE Battery Park 9-23-1979 - Bonnie Raitt
Bandana Blues #1038
Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada
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