Catching Bonnie Raitt at the Arlington Theatre, as a full house did for a generous Valentine’s Day concert of musical kindness, is bound to trigger nostalgia for some. Longtime locals will remember hearing her in this special venue, going back to the “prehistoric age” of the late 1970s, when she was a cult and critical favorite.
That was long before she became a “comeback” sensation and a representative voice for aging baby boomers with her late-blooming hit 1989 album “Nick of Time.”
By this point, she’s going strong and connecting all the varied dots of her musical identity at age 56.
Raitt manages to be a deft multitasker of an artist, and her latest album, “Souls Alike,” is one of her most exciting and artistically varied records in years.
Bonnie Raitt at the benefit concert for the UCSB Arts & Lectures educational outreach program – February 14, 2006.
Taking the stage with her fiery and subtle band, Raitt put on a captivating show, during which she juggled her multiple hats: organic R&B funk chef, pop chanteuse with heart on sleeve, blues woman with a dirty mind and inveterate activist.
In this benefit concert for the UCSB Arts & Lectures educational outreach program, Raitt touted the fact that their tour bus was running on biodiesel — and quite nicely, thank you.
In short, Raitt gave the crowd what it wanted, and needed.
She tugged on midlife heartstrings, invoking the sweet sadness of time’s passage with “Nick of Time.”
But she also got gritty when singing seminal blues woman Sippi Wallace’s “Women be Wise” (key line, “don’t advertise your man”) and “I Believe I’m in Love with You,” by Kim Wilson, the Goleta-bred blues hero (aka “Goleta Slim”).
As a slide guitar stylist, Raitt has an uncanny way of coaxing ethereal, bluesy beauty with a few well-placed, vibrato-laden long notes.
Tuesday’s show opened with keyboardist Jon Cleary’s New Orleans-ish tune “Unnecessarily Mercenary,” from the new album, and we were reminded that part of Raitt’s roots go back to the influence of her friend, the late Lowell George from Little Feat.
Cleary’s new song is reminiscent of George’s “Mercenary Territory” and Raitt’s goosey-graceful slide guitar notes and vocal phrasing carried forward the Little Feat founder’s imprint.
Raitt can get down and nasty and swampy, but she also delivers a sad ballad with the best of them, as she did with Michael McDonald’s “Matters of the Heart” and an especially slow, airy and poignant encore version of her hit “I Can’t Make You Love Me.”
Singer-songwriter Paul Brady, the Irishman whose solo opening act was an ideal warm-up for Raitt, joined her onstage to sing harmony and musically bond on “Luck of the Draw” and on the shamelessly romantic anthem “Not the Only One,” both written by Brady. (Because Raitt doesn’t write much, her career has been a boon to many an outside songwriter).
After “Not the Only One,” Raitt, ever attentive to contrast and pacing in her work, shrugged, “Sorry if that got a little bit sappy . . . I can’t help it.” Next up, the band jumped into the lanky shuffle-rocking energy of John Hiatt’s “Thing Called Love.”
In a way, the star of this show, at least in terms of offering a fresh addition to the Raitt songbook, was a voice strictly behind the scenes.
Songwriter Maia Sharp’s intriguingly left-of-center tunes are highlights of the new album, and perked up ears in concert, as well.
Sharp’s wickedly appealing “Crooked Crown” is a cool and inventive song, along the lines of a progressive blues-rock style, while “The Bed I Made,” the new album’s closer, was played like a brooding jazz ballad.
As Raitt delivered the song, with her blend of wisdom and vulnerability, you could hear a pin and/or a tear drop in the house.
Raitt’s latest visit to the Arlington confirmed that there still aren’t many singers alive with the alternately tough and the tender stuff she brings to her art.
Paul Brady, Bonnie and David Crosby – Santa Barbara – Feb. 14, 2006.
Last Saturday night, Bonnie Raitt and Willie Nelson supplied one very good reason to vote for Dennis Kucinich for president: bringing those two to D.C. to sing duets at the inauguration. Among many other tunes, the headliners delivered an engaging version of “Getting Over You” Saturday night at the Austin Music Hall, as the Kucinich forces wrapped up a two-day local tour, during which the candidate filed for the Texas primary, raised money, fired up his supporters, and spoke out for peace on the steps of the Capitol. Indeed, “Peace” was the keynote of the weekend, not only in the new campaign song by Nelson, “Whatever Happened to Peace on Earth?” — composed, he said, on Christmas Day — but in the dominating theme of the candidate’s talks throughout his visit. “I am going to make the war in Iraq the defining issue of this race,” Kucinich told reporters after a Saturday morning forum at the Texas AFL-CIO headquarters on Lavaca.
Although the candidate addressed other issues — abandoning the World Trade Organization and NAFTA, establishing a national single-payer health plan, fighting for social and economic justice — by his own insistence it is the war that is driving his campaign. “We were wrong to get in, and it is wrong to stay,” Kucinich said. “And the longer we stay, the deeper we’re going to get involved — it will become another Vietnam.” Moreover, he argued, the war has already distorted national priorities and will make it increasingly difficult to sustain the financial effort necessary to do the other things on the agenda: revive the economy, create jobs, rebuild the infrastructure, expand education and health care — all those promises the candidates recite but will find very difficult to deliver.
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Kucinich delivered variations on this theme throughout the weekend. At a Friday night fundraiser at Barr Mansion, in between the mellow singer-songwriters and the catered food, he noted the Garden of Eden motif of the remodeled barn’s mural and launched into an evocation of humanity’s “interconnectedness and interdependence.” He described his campaign as a means of fulfillment of “this commitment we are making to each other,” and noted the new year’s urgency to “assert the claims of all humanity for peace, for hope,” and the desire to “merge with all of creation.” If the rhetoric seemed more than a little heady for a political campaign, it was entirely in keeping with the decor, the local expressions of not-so-haute couture, and the constellation of stars that have gathered around Kucinich as the peace candidate. (Actors Mimi Kennedy and James Cromwell were prominent throughout the weekend, and among several others joining Nelson and Raitt on stage were Michelle Shocked, Tish Hinojosa, Kim Wilson, and Michael McDonald. If nothing else, Kucinich can surely lay claim to the All-Star Entertainer endorsements.)
At Saturday morning’s labor forum, Kucinich was a good bit less abstract, noting his own longtime union membership as well as his consistent opposition to international trade policies that he called responsible for both U.S. job losses and environmental degradation. “I’m not just a missionary to labor — I come from the House of Labor,” he said. “And when I’m president, I’ll cancel the WTO and NAFTA and return to bilateral trade relations that protect labor standards and environmental standards. … If you vote for me, you’re not just settling for what you can get — not just winning an election, but putting a brother in the White House.”
Kucinich is proud of being “the only candidate who has actually voted against this war,” and roundly rejects the notion that his policies or his campaign are exercises in idealism. The only honest response to an immoral war, he insists, is U.S. withdrawal and turning the operation over to the United Nations and the Iraqis as soon as possible. He repeated that message on the Capitol steps Saturday afternoon to a surprisingly large and enthusiastic holiday crowd of nearly 1,000 people. “We are here because we disagree with those who insist that war is inevitable,” he declared. “We believe that peace is inevitable. … We are called upon to be witnesses for peace.” He went on to summarize a plan for handing over Iraq administration, contracting, and governmental transition to the UN, to be followed by rebuilding and U.S. reparations.
In conversation, Kucinich insisted the race for the Democratic nomination remains wide open and that he is in it to win at the national convention in August. Asked if he thought his forthright and uncompromising perspective could find a space in U.S. politics, he said, “I think it exists, but it needs a voice. I’m creating that space. I’m giving voice to the concerns that many Americans have, about getting out of Iraq. That’s why I say I’m making it a defining issue. It needs a voice — whether it’s the civil rights movement, the environmental movement, the women’s movement, or for the peace movement — getting out of Iraq. There needs to be a voice. So I’m the voice — and people can be heard, but also they can choose to vote for that voice.”
Bonnie: “Little Kids Rock does a great job getting kids excited about music, picking up the slack from budget cuts to put music programs in our schools.
Bonnie Raitt told the kids at Spring Valley Elementary about learning guitar when she was 8 years old. Her hands weren’t large enough to span the fretboard and make an F chord, so she learned to do it with her thumb.
“Tell Bonnie what we call the F chord,” said their guitar teacher, Laura Chinn-Smoot.
“The ouch chord,” a couple of dozen young public school guitar students said in unison.
Raitt inveigled her old pal Tom Waits to join her on piano and sing a duet of “Sweet and Shiny Eyes,” a song they knew from touring together a few years back when Jerry Ford was still president. Former Metallica bassist Jason Newsted, currently playing with Ozzy Osbourne, picked up his bass, and Norton Buffalo added a little harmonica.
They were all sitting in a circle in the Russian Hill school cafeteria Tuesday afternoon, swapping songs with the music students, beneficiaries of a program called Little Kids Rock that brings music instruction to elementary schools in four states. While TV news, radio reporters and photographers recorded the session, Little Kids Rock Executive Director David Wish, a former Redwood City second-grade teacher, led the second-, third-, fourth- and fifth- graders in writing a song, while the professional rock musicians backed them up.
With the hit film “School of Rock” giving the idea of grade schoolers playing music a little precious currency, Wish pulled together some of his celebrity supporters to capitalize on his opportunity. Wish, frustrated with the lack of musical education in the school’s official curriculum, started giving free after-school guitar lessons to Redwood City students in 1996, and the Little Kids Rock idea grew from there. For the past two years, he has devoted full time to his burgeoning nonprofit. He puts out a CD every year of songs written and performed by the Little Kids Rock youngsters.
The musicians listened and applauded as the students performed a few songs, the young guitarists strumming strongly, the voices melding in that way only grade school choral groups can. When Raitt and Buffalo started jamming a shuffle, Wish grabbed a guitar and walked around showing the kids what chords to play.
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The musicians all talked about how they started playing music and offered the students advice. Buffalo said his father played harmonica and his mother was a singer. Newsted, who got his first guitar for Christmas at age 9, switched to playing bass after he saw Kiss. He also described the kind of heavy metal he plays as “lots of real loud ouch chords.”
Newsted is no stranger to the Little Kids Rock program. Last April, he hosted a large group of students at a recording session at the Plant Studio in Sausalito, where he produced rock band Voivod performing one of the songs from the Little Kids Rock CDs.
Little Kids Rock – Tom Waits, Bonnie Raitt, Norton Buffalo, Jason Newsted and Austin Willarcy (right to left) take part in jam session at the Spring Valley Elementary School in downtown San Francisco on October 21, 2003. They were there to support the program which was started by David Wish in November 1996 and is a non-profit organization that provides free instruments and lessons to disadvantaged kids in public schools. Some of the artists that serve as board members are Bonnie Raitt, Paul Simon, BB King and Les Paul as well as friend Carlos Santana, Bob Weir and the band, Phish among others.
Austin Willacy of hip-hop a cappella group the House Jacks encouraged the students to play instruments. “I have learned that if you sing and don’t play in a band, you don’t get heard,” he said.
Tom Waits allowed that trumpet was his first instrument and that playing bugle for the Cub Scouts was his first gig. He also recalled his first piano, a trashed upright that had been left out in the rain and was given to him even though many of the keys no longer worked.
“I was fine with that, though,” he said. “I just played the ones that were working. I used to make up little songs when I was angry or sad. I’m still doing that.”
Waits, who has children of his own, told the kids he didn’t remember how many movies he made. “I write songs for movies, too,” he said. “They’re supposed to make the movies better, but sometimes you just can’t save them.”
Raitt also encouraged the students to take lessons and do the practice. “I’m real glad I took five years of piano lessons,” she said. “Look what happened — I don’t have to work a regular job.”
Some day the Rock and Roll Hall of Fame may need to add a new wing – – for the Redwood City sound.
It all started in 1996, when David Wish, a frustrated second-grade teacher at Hawes Elementary School in Redwood City, decided to teach schoolchildren how to play music.
What began as a weekly after-school guitar class for his second-graders quickly expanded to sessions every day. Soon it seemed nearly every kid in the school wanted to pick up an instrument.
Nearly 10 years later, Wish is the director of Little Kids Rock, a nonprofit organization that brings free music lessons and instruments to more than 4,000 students in low-income areas in four states. By next year, Little Kids Rock hopes to release a CD of songs written by students and recorded and performed by celebrity musicians such as Tom Waits, Norton Buffalo and members of Metallica, all of whom have appeared at schools and jammed with the kids.
Wish, who now lives in New Jersey, is having a Bay Area homecoming party for Little Kids Rock and a celebration of Music in Our Schools Month on Wednesday at the Mighty club in San Francisco, headlined by ’70s soap star- turned-rocker Rick Springfield.
Thanks to stars like Springfield, who donate their time and money, Little Kids Rock expects to double the number of participating students by next year.
“Back in Redwood City in 1996, we maxed out on instruments for the kids pretty quickly,” says Wish, a jazz guitarist. “Then Carlos Santana gave us a $5,000 Milagro grant. It seemed like all the money in the world, and I thought we’d never have to buy guitars again.”
Wish has since expanded the program to teaching drums, bass and keyboards. The reasons, he says, are obvious.
“If you took a Martian from outer space and had him listen to the radio and asked him what kind of music children are learning to play in schools, he’d tell you bass, keyboards, drums and guitar, right? But he’d be wrong. So where are all these kids who grow up to play that kind of music getting their musical education?”
Wish says he uses the internationally known Suzuki Method, which he blends with the Rolling Stones and Dr. Seuss.
“The Suzuki Method is a set of methodologies that says anyone and everyone can play music if taught properly — by ear, not by reading,” Wish says. “Suzuki says that classical music is not the domain of the gifted. Little Kids Rock does the same thing, but is open to pop music — punk, heavy metal, folk, whatever. It’s still rock ‘n’ roll to me.”
Rather than picking up chords from their older siblings or copying riffs from the dude at the guitar shop, kids ought to be learning popular music in school, Wish says.
“California is ranked last for access to arts education,” he says. “Think about that. You’re talking states like … well, let’s just say states with far fewer resources trounce California in musical education.”
Besides the obvious budget cuts, Wish believes that a big reason kids don’t learn music in school is because they associate “educational” music — classical and marching — as being kind of boring.
“I believe it’s better to let them get to the good stuff first, as opposed to being confined to 17 years of classical piano,” Wish says.
So when students say they want to learn how to play Shaggy, Ricky Martin or Britney Spears, Wish makes a trip to iTunes and invariably comes back with just three necessary chords.
“Take Beethoven’s Ninth Symphony,” Wish says, explaining his argument against the few who frown upon his approach. “It’s two chords: D and A. Do you realize how many songs are structured around only D and A? When you teach a kid how to play a Selena song that is D and A, you’re also teaching them to play Beethoven’s Ninth Symphony. You’re teaching them to play. Period.”
LITTLE KIDS ROCK: The next benefit, starring Rick Springfield, takes place from 6:30 to 9 p.m. Wednesday at the Mighty, 119 Utah St., San Francisco. 100. (973) 746-8248, www.littlekidsrock.org.
David Dye / Alan Onny? - December 18, 1972 - 93.3 WMMR
David Dye - December 1972 - 93.3 WMMR
Michael Tearson / Paul Messing (OPUS) - March 6, 1972 - 93.3 WMMR
Michael Tearson - March 9, 1972 - 93.3 WMMR
Luke O'Reilly - August 27, 1971 - 93.3 WMMR
Ed Sciaky - March 9, 1972 - 93.3 WMMR
No Nukes - MUSE Battery Park 9-23-1979 - Bonnie Raitt
Bandana Blues #1038
Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada