Following the 1970 deaths of Janis Joplin and Jimi Hendrix, modern blues had suffered immeasurable loss. Furthermore, with the end of Cream in 1969, popularized blues forms were severely lacking, especially amongst the females, who had mostly established themselves in pop soul, the softer side of folk rock, and early a.m. pop. So, in comes a young Bonnie Raitt to keep her beloved blues alive, and to show the white girls how it’s done.
In 1971, Bonnie Raitt released her eponymous debut album, Bonnie Raitt, ensuring her a place amongst the best of the 70s.
This was not the psychedelic electric blues of her aforementioned brethren. This was a return to roots with a hint of the smoothness of the 70s. The wailing of the electric guitar is replaced with honky tonk piano, rustic down home acoustic guitar, swampy harmonica, and sex-infused horn blasts. What you get is the feeling of a late night stroll down Bourbon Street and a chance stumbling into a blues club full of perfectly greasy sleaze and southern fried attitude.
The album begins with “Bluebird”, a song Stephen Stills wrote for his Buffalo Springfield’s Buffalo Springfield Again from 1967. The track’s unpolished blues band intro screams of the 1950s Chess era. Raitt’s vocal is first heard and immediately apparent is how well-studied she is in the blues tradition. Her inflections are appropriate, unpretentious, and deep from the pit of her gut – much unlike the average modern R&B run. At halfway, we are presented with a combo of scat singing and lustful horn drives, perfectly accenting the melody.
Tradition is renewed on the Ray Charles-style “Mighty Tight Woman”, with its 12-bar piano blues shuffle. Written in 1926 by the early feminist blues singer Sippie Wallace, the absolutely sleazy yet heartfelt lyricism of “If you’re a married man/You ain’t got no business here/Cause when you’re out with me/I might make your little wife shed a tear/Cause I’m a mighty tight woman/There ain’t nothing, nothing that I fear” is accompanied by a piano-acoustic guitar interlude later joined by deep Delta-derived harmonica. Raitt’s vocal is pure seduction, leaving little to the imagination; yet, no one’s complaining and no one should.
Bonnie Raitt, Emily Williams and Donna Taylor — a special day in Como. Photo by Earl Burdette
I received a press release a few weeks ago that one of my favorite musicians, Bonnie Raitt, would be in Como on May 7 for a special ceremony honoring the late bluesman Mississippi Fred McDowell.
Raitt’s known for “Something to Talk About,” the ballad, “I Can’t Make You Love Me,” “Nick of Time,” and many blues songs. She would be on hand for the unveiling of a marker honoring McDowell and putting Como on the Mississippi Blues Trail.
Before receiving this press release I had no idea that Como was once home to a music legend. Como has received attention recently following the recording of “Como Now: The Voices of Panola County.” That CD consists of local gospel singers who recorded all 16 songs in one day at Mt. Moriah Church in July of 2006. The Daily Telegraph, a newspaper in England, published a review of the recording, commenting “Como Now presents gospel music in its purest form: it features no instrumentation whatsoever, only sublime human voices, giving joyful expression to their faith.” The album was conceived by a Brooklyn-based company which had somehow discovered the rich concentration of talented singers in Panola County. So they placed a newspaper advertisement inviting the community’s most talented to turn up for a day’s recording at Mt. Moriah Church.
With this newly discovered talent and the memory of a reknowned bluesman to honor, Como was ready for Bonnie Raitt. I grabbed my camera and note pad ready to take pictures of one of my favorite female artists. I walked down Main Street and immediately saw Earl Burdette, who works with the Como Police Department, Sheriff’s Department and is also my friend. With a huge smile I shook Earl’s hand and said, “I wouldn’t have missed this for the world!” Earl informed me he was Bonnie’s bodyguard. The Sheriff’s Department had lent its Mobile Command Unit for use by Bonnie and other officials and guests in Downtown Como that day.
Blues fans were gathered outside it with their guitars and Sharpies. I talked to a man who drove from Ohio just to see Bonnie. He had several famous blues signatures on his Vista guitar. Johnny Lang, who sings, “Lie To Me,” was the signature that stood out the most. Lang has played the blues since he was a kid and is one year younger than I am. (His birthday is actually two days before mine in January).
Earl tried to get me a private interview with Bonnie, but she was only giving two. The first lady who got an interview worked for a blues magazine in Norway. She told me she had B.B. King on her agenda, too. She’d seen Bonnie a few days earlier at Memphis in May. The second interview was with Mississippi Public Broadcasting.
When Bonnie walked out of the Command Unit she was as beautiful as I expected her to be.
After the Como Mayor, Mississippi Fred McDowell’s family, and others gave their speeches Bonnie stepped up to speak about her old friend. Raitt, a California native, told the crowd,
“He was the first person from the South I got close to and I’ve always admired southern blues.”
She went on to say she met McDowell when she was around 18 years old.
“I haven’t been to Como since he died (in 1972),” she said.
I later found out I also took a picture of a photography legend, Dick Waterman. He’s taken famous pictures of Janis Joplin, Muddy Waters and other blues legends.
After the entertainment by the Como Mamas (from the “Como Now” CD) and students from the Mississippi School for Math and Science, performing one of McDowell’s well-known songs, “Shake ‘em Down,” it was time for Bonnie to walk back to the air-conditioned mobile unit. At this time she had given no autographs and posed for no pictures, not even with the man who’d come from Ohio with his Vista guitar and “Zorro” mustache. I saw the Southern Reporter’s Donna Taylor in the crowd and I told her we had to get a picture.Donna gave me the guts to ask Bonnie for a picture, even if I couldn’t get an interview.
It was time for Bonnie to get into her SUV with her driver and that’s when Earl told me he had taken care of it. I had given Earl a copy of The Panolian earlier and asked if he could just get her to sign it for me. Bonnie’s agent apparently told her not to give autographs or take pictures with any fans that day. Earl said Bonnie told her agent her bodyguard might want an autograph. So she signed The Panolian at Earl’s request. As she walked toward the vehicle Donna threw the camera to Earl. He snapped our picture with Bonnie’s approval and made one of my dreams come true. I owe a big thanks to Earl/bodyguard/photographer for making a day I will never forget.
Bonnie was gracious and sincere when I told her I’d loved her music since I was a child and my children now enjoy her music. Bonnie is also known for covering a beautiful version of a song called, “Angel From Montgomery.” I told Earl he was my “Angel from Panola.”
THE SHOW: Bonnie Raitt, Tuesday night, May 12,at the Majestic Theatre,San Antonio, Texas.
ATTENDANCE: About 1,800
FIRST TAKE: Bonnie Raitt and her band dug in and served up playful and serious blues, funky R&B, reggae and more for a most appreciative crowd. Raitt dedicated the show to the memory of her friend Stephen Bruton, the guitar ace, singer, producer and songwriter who died of cancer over the weekend.
But the set was upbeat and driving as she and the smoking band worked through songs including “I Sho Do,” “Thing Called Love,” “One Belief Away,” “Good Man, Good Woman” (a duet with keyboard player Ricky Peterson), “Love Me Like a Man” (with special guest Johnny Nicholas on harmonica) and “Angel from Montgomery.”
Raitt is one of the most engaging artists around. When she takes a stage, every venue is a friendly front porch. The Majestic was a fancy, friendly front porch on Tuesday.
FOR STARTERS: “That was a killer set,” Raitt said about the Paul Thorn Band’s opening set. She told the truth. Tupelo, Miss.-based singer and songwriter Thorn and his band fired up the crowd with a 40-minute set that rocked with plenty of grease, grit and songs such as “A Long Way From Tupelo,” “Rise Up,” “Burn Down the Trailer Park” and a rousing “Mission Temple Fireworks Stand.”
Bonnie Raitt performs at the Majestic Theatre.
Bonnie Raitt performs at the Majestic Theatre, Tuesday, May 12, 2009.
Here is an excellent audience capture of Bonnie at the Majestic Theater. This theater has definately better than average acoustics. She sounded great this tuesday evening, or “schoolnight” as Bonnie mentioned. She has a top notch band and sound. The crowd was enthusiastic and well behaved. We really enjoyed this show, and hope you do as well.
Setlist: I Sho Do Thing Called Love One Belief Away Good Man, Good Woman Your Good Thing (Is About to End) Premature I Feel So Damn Good (I’ll Be Glad When I Get The Blues) Love Me Like A Man (with Johnny Nicholas) Papa Come Quick Angel from Montgomery I Will Not Be Broken Something To Talk About Never Make Your Move Too Soon (with Johnny Nicholas) I Believe I’m In Love With You (with Johnny Nicholas) I Can’t Make You Love Me —Bonnie talks about Stephen Bruton Too Many Memories Love Sneaking Up On You
David Dye / Alan Onny? - December 18, 1972 - 93.3 WMMR
David Dye - December 1972 - 93.3 WMMR
Michael Tearson / Paul Messing (OPUS) - March 6, 1972 - 93.3 WMMR
Michael Tearson - March 9, 1972 - 93.3 WMMR
Luke O'Reilly - August 27, 1971 - 93.3 WMMR
Ed Sciaky - March 9, 1972 - 93.3 WMMR
No Nukes - MUSE Battery Park 9-23-1979 - Bonnie Raitt
Bandana Blues #1038
Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada