The Bowl was jumping on Saturday night for the Bonnie Raitt and Taj Mahal double bill. Both are veteran artists with big, outgoing personalities and tremendous musicianship, and on this tour they share a dedication to letting the good times roll in a distinctly soulful, classic rhythm-and-blues idiom. Dressed in a blue shirt, black pants, and a white straw fedora hat, Mahal opened with a 45-minute set that showed off his powerhouse band and some super-tight Texicali horns. Having traveled all over the world developing his many styles of music allows Mahal the luxury of mining the past and still sounding absolutely contemporary. He may have been singing about Annie Mae and her big-leg grandma or playing the banjo, but he was never out of touch with the audience or the groove. The final song of the set, an instrumental called “711,” was as delicious as anything cooked up by The Meters or the MGs, with Mahal front and center with his hollow-body electric guitar battling the organ.
Bonnie Raitt came out for her set and continued down the rocking road Mahal had opened, covering some of the same vintage territory in a kind of Stax/Memphis meltdown. After telling everyone present, “Taj got my blood boilin’ hot,” Raitt proceeded to play spectacular guitar and sing like an angel, even as her between-songs patter took a mischievous turn. At one point, she even name-checked her bandmates’ girlfriends for showing them some pre-concert love. Keyboardist Ricky Peterson filled the night with steaming organ riffs and joined Raitt as a second vocalist on several occasions.
The long Bonnie Raitt solo set bled into a jubilant jam session that brought out all the players from both bands until there were some 12 musicians onstage, as well and Raitt and Mahal. The version they offered of Mahal’s classic “Satisfied and Tickled Too” was sublime, and included a verse in which the singer growled out some suggestive wordless lyrics. “Something to Talk About” followed, as did a pair of dedications to S.B. music industry legend Hale Milgrim and his wife, Annie, and then it was down the hill and onto Milpas Street for an awestruck, happy crowd.
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Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada