Bonnie Raitt, her bass player, Freebo and her dog, Prune, hit Carbondale Thursday night for her concert at Shryock Auditorium.
Sitting in her dressing room after the show, she commented about her performance. “Performing looks easy. It looks like you just sit up there playing your guitar and opening and closing your mouth when you are actually going through a whole spectrum of emotions with each song.
Bonnie Raitt – Shryock Auditorium, Southern Illinois University, Carbondale, IL – March 8, 1973
“Sometimes you just pick an order of songs that fit the order of your head, or that put your head in a certain mood. I get a lot of love from the audience, but tonight I was thinking about this particular guy, and the songs just fell into a natural order, like a conversation.”
Mimicing Flip Wilson in a high-pitched voice she said “De devil made me do it.”
“If you let the blues get to you too much, like tonight, you’ll go nuts.”
Arriving in Carbondale less than an hour before the concert, her journey from the East Coast consisted of a three-hour bus ride to Newark, NJ, waiting for her flight to St. Louis, and then a two and one-half drive to Carbondale from St. Louis.
“Last night I was at Max’s Kansas City, which is a notorious bar in New York. This friend of mine was playing there and they kept giving me free drinks. So I was really messed up, and I had a hard time getting up this morning. But we got a six-pack on the way to Carbondale from St. Louis, so actually it turned out to be a nice trip.
“Sure, I like to drink, but you have to watch it when you’re on tour, because every night is like Friday and it’s easy to overdo it,” Ms. Raitt said.
During the era of surf music, when Ms. Raitt was growing up on the West Coast, she listened to country blues.
“When I first heard people like Muddy Waters and Jimmy Reid, I just naturally liked them. I don’t know why I would listen to their records and try to play guitar like them,” she said.
“And then we moved East where people were into Joan Baez, everybody would say, “How did you learn to play like that” ‘You play like a guy.’ I was always a tomboy anyway.
Freebo occasionally stuck his head into the dressing room asking Bonnie when she was coming out. Referring to Freebo’s curly hair she said, “He really doesn’t know how weird he looks.”
“I don’t know much about classical music but Freebo does. He’s got a music degree.”
In her professional career Ms. Raitt does not want to be a big commercial success.
“I’m trying to jack down ticket prices and do a lot of benefits. I also want to sing songs by all of those good composers who are obscure but have been playing in small clubs for years, like David Van Ronk.”
Ms. Raitt played sessions for her first album in a garage on a Minnesota farm. “If I wanted a polished commercial record, I would have hired some hot-shot producer.
“Take, for example, Don McLean. He had his big hit “American Pie” and now he’ll never be able to live it down unless he produces something that is better. I want to stay away from that sort of thing, and being hyped-up by the media,” she said.
“I did my first album partly because I wanted to give David Ray some money for his new record label.” He wants to sell albums for $2.50. I’m also into the women’s movement.
Ms. Raitt often sings songs by Sippie Wallace, a black blues writer who is now 74 and living in Detroit. She came out of retirement recently by Ms. Raitt’s invitation to sing at the Ann Arbor Blues Festival.
“Sippie used to record back in the 1930s and she wrote much better lyrics than most blues people. She had a stroke a few years ago, and when blues people start getting old, they tend toward gospel music. I guess they want to get right with God.”
“She showed up at the festival in a real funky outfit with rhinestone glasses and everything but said she’d only sing gospel.”
“Later on when we were sitting around in the trailer goofing off, me and some musicians started singing. ‘Woman be wise, keep your mouth shut, don’t advertise your man,’ which Sippie wrote.
She was reluctant to join in at first, but then started humming along and “Well maybe I’ll just do a couple blues numbers.”
When the subject of touring came up, Ms. Raitt said, “I like to travel and I like to tour, otherwise I wouldn’t do it. When you sing the blues you can’t let it get to you often or you’ll go crazy.”
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Bonnie Raitt is nothing if not loyal. And when she caught wind of the fact that Mike Reid and I were writing and recording together, she was quick to volunteer to sing on our song “The Bridge.” It’s one of my favorite songs Mike and I have written. And I can no longer imagine it without her heroic spirit present. ~ Joe Henry
Released on: 2025-09-05 Producer: Joe Henry Music Publisher: Rivers and Roads Music (ASCAP - admin by Endurance Music Group) Music Publisher: Mule Rider (ASCAP) Music Publisher: Blue Raincoat Music (ASCAP) ℗ 2025 Work Song Inc. marketed and distributed by Thirty Tigers
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Prison Bound Blues · Bonnie Raitt
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada